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Word: sonata (lookup in dictionary) (lookup stats)
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...standard baroque trio sonata, we think. Telemann or perhaps one of the Bach sons. But it's over in a flash. Segue to standard piano Muzak, sounds like something familiar. Unbelievable--it's Bryan Adams' "I Do it for You." (Vomiting ensues...

Author: By Daniel Altman, | Title: A RINGING IN OUR EARS | 9/23/1995 | See Source »

...third track, "The Great Circle Route," featuring Hornsby on piano, is among the best on the album. The song begins with Hornsby passionately stamping out a piano riff reminiscent of a Chopin piano sonata, then smoothly incorporates a complex jazz rhythm, further layering melodic fiddle and dobro movements over Fleck's subtle banjo punctuations. The climax of the song occurs as Hornsby and Fleck swap licks and playfully try to out-do each other...

Author: By Jed D. Silverstein, | Title: Fleck Tells Extraordinary Banjo `Tales' | 5/10/1995 | See Source »

...Isabella Stewart Gardner Museum closed out this year's concert season on April 30 with a performance by two of Boston's star musicians. Violinist James Buswell and pianist Max Levinson '93, whose personal interpretive styles differ enormously, offered a program of Bartok's Sonata No. 1 for Violin and Piano and Beethoven's Sonata for Violin and Piano...

Author: By Daniel Altman, | Title: Gardner Grows Fresh Beethoven And Bartok | 5/10/1995 | See Source »

...Sonata's Adagio brought a completely introspective tone to the performance. Levinson's lines seemed to come from a different world as they mingled with Buswell's wide vibrato. The music couldn't help but acquire a very private quality, hardly the kind that reaches out to an audience; the listeners could not readily participate in the experience, except by observing. Many became restless during and especially after the movement, but Buswell quieted them with a nod to Levinson, whose crashing entrance gave an almost attacca start to the last movement...

Author: By Daniel Altman, | Title: Gardner Grows Fresh Beethoven And Bartok | 5/10/1995 | See Source »

...Sonata's Adagio espressivo certainly captured a more intimate feeling, but the playing was emotionally unremarkable. The high point of the Beethoven came in the Scherzo. where Buswell's devil-may-care boldness struck a wonderful contrast to Levinson's filigreed lines. Here, the interplay of the instruments finally reached the same heights it had achieved in the Bartok...

Author: By Daniel Altman, | Title: Gardner Grows Fresh Beethoven And Bartok | 5/10/1995 | See Source »

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