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...Germans. Strolling through the gallery is like entering the drawing room of a wealthy merchant in prewar Vienna, with paintings of dreamy, Italianate landscapes and still lifes of tables piled with feathered game and fruit. You can almost hear the echoes of dinner gossip or a daughter's piano sonata lingering around these forlorn paintings...

Author: /time Magazine | Title: Spoils of War: Looted Art | 3/6/2008 | See Source »

After the introduction, Koh and piano accompanist Hsin-Bei Lee, a professional pianist and MIT affiliate, performed three pieces: Benjamin Britten’s “Cello Sonata,” Frederic Chopin’s “Cello Sonata,” and Astor Piazzolla’s “Le Grande Tango...

Author: By Bonnie J. Kavoussi, CRIMSON STAFF WRITER | Title: Cellist Performs At Rights Concert | 12/17/2007 | See Source »

...Britten sonata, Koh said, “I chose this piece to begin the program because the first movement is called ‘Dialogo’—Dialogue—and I think it’s very important for North Korea and the rest of the world to have a dialogue, or human rights cannot be achieved...

Author: By Bonnie J. Kavoussi, CRIMSON STAFF WRITER | Title: Cellist Performs At Rights Concert | 12/17/2007 | See Source »

...Through a Glass Darkly), another in 1984 (Fanny and Alexander). Three times, he was Oscar-nominated for best director (Cries and Whispers, Face to Face, Fanny and Alexander); five times, as author of the best original screenplay (Wild Strawberries, Through a Glass Darkly, Cries and Whispers, Autumn Sonata and Fanny). The Academy also gave him the Irving G. Thalberg Award for career achievement - the only foreign-language filmmaker to receive it. In 1960 he received a still higher honor: he graced the cover of TIME, the first foreign-language filmmaker to do so since Leni Riefenstahl...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

...dispute with Swedish authorities exiled him to Norway and Germany for a few years, where he made The Serpent's Egg (with David Carradine), Autumn Sonata (with that other famous Bergman, Ingrid) and From the Life of the Marionettes. But Sweden, love it or hate it, was the home he loved to be estranged from, and he returned there, to Faro and the isolated island of his mind. In TV interviews, Bergman could be a charming, engaging fellow. But his films were truer reflections of "the solemn Swede," as he was called then...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

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