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...debating point, and perhaps unresolvable. Admiringly, Conductor Seiji Ozawa says that "Slava I doesn't interpret, he feels. His music is really his character. He is conducting his life." His performances of the Schubert Sonata for Arpeggione and Piano and the Schumann Cello Concerto are typical. The phrasing and pastels of dynamics in the Schubert expose a bold lyricism that would have astonished?but probably pleased?the composer. As for the Schumann, Leonard Bernstein, who recorded the piece with Rostropovich, confesses that he would just as soon not do it again in quite the same fashion. "Slava takes enormous freedoms...

Author: /time Magazine | Title: The Magnificent Maestro | 10/24/1977 | See Source »

...Chapel, Sunday at 5 p.m., features performances on original instruments at baroque pitch with early tunings. Again in Jordan Hall, the NEC Faculty Chamber Music series begins on Tuesday at 8 p.m. The varied program includes Mozart's Trio for Clarinet and Piano, K. 498 and Ravel's Sonata for Violin and Cello. For info about any of these NEC concerts call...

Author: NO WRITER ATTRIBUTED | Title: Wolfgang Today | 10/13/1977 | See Source »

...that, he's convinced that all they're playing in there is the "extended-play," disco versions of the classics. Not even six weeks in there, and already he's Murray the K, up on his high moped. This friend of mine, he couldn't tell an E-Flat Sonata from E. Frank Sinatra from a can of V-Flat Soda, just between you, me and this turntable...

Author: NO WRITER ATTRIBUTED | Title: Disco 1, Mopeds 0 | 10/6/1977 | See Source »

Also at Harvard, Peabody-Mason Music Foundation presents pianist Gary Steigerwalt on Friday at 8:30 p.m. in Sanders Theatre. The first American pianist to win the Liszt-Bartok International Piano Competition is Budapest, Steigerwalt will play Haydn's Sonata in F Major, Bartok's Suite Op. 14, Preludes by Debussy and some Liszt and Schumann works, including Schumann's "Symphonic Etudes." Call 266-3314 for more info...

Author: By Richard Kreindler, | Title: Musical Inspiration | 10/6/1977 | See Source »

...express the mood or emotional feelings he wishes, Kushnik paints a rainbow of "styles" into his songs--from the satirically self-mocking "A M-pop-hit-single" style of "Electric Eyes of Love" to a surrealist piano accompaniment of a laughing box, called "Opus 354: Sonata for Piano and Laughing Box." Or take the sentimental favorite. "New York City," which consists of three stoccato piano chords followed by a shout of get out of the way, you fuck." Bruce fittingly calls his music "Surrealist Neo-Classic Avant Garde Jazz/Rock and Roll...

Author: By Michael Barber, | Title: Response | 4/21/1977 | See Source »

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