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...expression of an over-powering scorn for the world and a sincere pity for humanity. In this, his last of four "chamber plays," so called for their resemblance to chamber music. Strindberg emphasizes theme and development rather-than plot and character. In what he called his "last sonata," Strindberg composed a relentlessly horrifying vision of life...

Author: By Janny P. Scott, | Title: Suffocating Nightmares | 2/21/1975 | See Source »

What the Baroque is really all about can be gleaned from the original use of the French word baroque to describe irregular or misshapen pearls. Explains Kipnis: "In Baroque music of Bach, Handel and Rameau, the pearls are the musical forms-such as the sonata, the concerto grosso or the da capo aria. Trills, other ornaments, colorful dissonance, wildly uneven rhythms-all these are devices that create tremendous tension, yank the listener back and forth and leave him in anything but absolute comfort...

Author: /time Magazine | Title: Music: Prince Igor | 1/13/1975 | See Source »

Beethoven: Sonata No. 31, Op. 110; Sonata No. 32, Op. 111 (Pianist Vladimir Ashkenazy; London, $6.98). There is no halfway point in attitudes toward late Beethoven. For performers and listeners alike, it is either the ultimate in communicative art or too personal and troubled to share with a large audience. Rubinstein and Horowitz subscribe to the latter view and avoid both the music and the problem. Even a comparative youngster like Cliburn has kept his interpretive thoughts on the matter largely to himself. Fortunately there is Ashkenazy, the finest all-round pianist in music today, a man who is possessed...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 1/6/1975 | See Source »

Aleksander Slobodyanik Plays Liszt; Sonata in B Minor, Hungarian Rhapsody No. 6 (Columbia/Melodiya, $6.98). Slobodyanik ranks among the half a dozen best keyboard artists under 35. A galvanizing pianist whose appeal is not confined to showers of notes, he fuses virtuosity with a sense of poetry, but in this account of the Liszt B Minor Sonata, Slobodyanik shows a lapse of heart. The allegro passage work is more muscled than brilliant; where it should be bold it thumps...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 1/6/1975 | See Source »

Telemann's Sonata in D had a touchingly tender singing legato line. Tartini's Trumpet Concerto in D built to a concluding D above double C that had the audience cheering Andre as though he were Sutherland...

Author: /time Magazine | Title: Music: Under Pressure | 12/9/1974 | See Source »

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