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...gather footage for his montage. Sonbert said he often looks for parades, demonstrations and other events. such as military exercises and car accidents...

Author: By Kelly A. Matthews, | Title: Avant-Garde Filmmaker Explains Montage Work | 2/18/1989 | See Source »

...Sonbert, a leading U.S. avant-garde director, said his theory of montage is based on "positing" one connotation of an image, "and then, as the work unravels, you take that away." In his film Honor and Obey, for example, police officers are first presented in violent roles, but in later scenes have peaceful conversations...

Author: By Kelly A. Matthews, | Title: Avant-Garde Filmmaker Explains Montage Work | 2/18/1989 | See Source »

...thing is triumphant," Sonbert said of the fragmentary elements of montage. Instead, a film's aim is to keep a "constant balance" between its scenes so that a marriage scene may be followed by a funeral. The audience may laugh when the image of a child appears on the screen, but the "laughter is a little bit qualified" by a following image of an ambulance or burning car, Sonbert said...

Author: By Kelly A. Matthews, | Title: Avant-Garde Filmmaker Explains Montage Work | 2/18/1989 | See Source »

...Sonbert appeared at the screening of four of his films as part of "Avant-Garde Voices." a two-night series sponsored by the Harvard Film Archive. Last night's screening featured two recent films, Honor and Obey...

Author: By Kelly A. Matthews, | Title: Avant-Garde Filmmaker Explains Montage Work | 2/18/1989 | See Source »

...films are works in film montage constructed of scenes shot around the world. The third film, Hall of Mirrors, is a combination of sequences from a 1948 motion picture with two scenes shot in New York. Hall of Mirrors and the fourth film shown last night were made while Sonbert was a student...

Author: By Kelly A. Matthews, | Title: Avant-Garde Filmmaker Explains Montage Work | 2/18/1989 | See Source »

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