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Word: sondheimer (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...Harvard-Radcliffe Dramatic Club's new production of Stephen Sondheim and George Furth's "Company" manages to achieve what many of the latest big-budget Broadway productions have not: chemistry. The combination of musical and acting talent and expert direction make "Company" one of the best pieces of student theater in recent memory...

Author: By Daley C. Haggar, | Title: Compa Free Love Brings the | 11/16/1995 | See Source »

Deceptively lightweight, "Company" nevertheless captures real moments of human emotion without weighing the audience down with sentimentality or artistic pretensions. Sondheim and Furth add irony, a much-needed quality in a musical, without being too self-consicous about it. Even their "types" (crusty matron, dim-but-nubile stewrdess), manage to escape cliche. And when the couples sing "The Little Things You Do Together," with barely-hidden hostility, they articulate the uncanny need for men and women to stay together, no matter how ridiculously miserable they might...

Author: By Daley C. Haggar, | Title: Compa Free Love Brings the | 11/16/1995 | See Source »

Even haters of Sondheim will still appreciate "Company's" talented cast. The singing and orchestration are almost uniformly good. Even a corny number like "Sorry-Grateful" holds up with the help of fine singing from Peter Friedland, Doug Rand and Jason Mills as David, Harry and Peter...

Author: By Daley C. Haggar, | Title: Compa Free Love Brings the | 11/16/1995 | See Source »

...Robert stands by, hidden in the shadows. The abrupt ending seems suprisingly insubstantial, resisting clear answers or profound revelations. Still, in an age where the ponderous pseudo-drama of "Les Mis" still packs the house most nights in New York (and, terrifyingly, in London, and Dallas, and Des Moines...), Sondheim provides a welcome respite. The HDRC's witty turn does him justice...

Author: By Daley C. Haggar, | Title: Compa Free Love Brings the | 11/16/1995 | See Source »

...Peter Pan syndrome--and a dozen other pop-psychological maladies illuminated on post-'70s talk shows. No wonder Company's director, Scott Ellis, so often has Gaines peering handsomely but dazedly into the spotlights. What's to become of him? He blinks with uncertainty--unlike his creator. After Company, Sondheim would move on to the even finer musicals--Sweeney Todd, Sunday in the Park with George, Into the Woods--on which his reputation more securely rests...

Author: /time Magazine | Title: THEATER: TIME SHIFT | 10/16/1995 | See Source »

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