Word: sondheimer
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...still top the schools' most-popular list (Little Shop of Horrors was actually No. 1 for 2007), a growing number of high schools are turning to more adventurous fare for their theatrical rite of spring: big, adult epics like Les Miz; irreverent satires like Urinetown; dark musicals like Stephen Sondheim's Sweeney Todd. "There's a sense of we want to do something new and edgy," says Jeff Knoedler of Newton South High School outside Boston. "There's only so many times you can trot out Oklahoma! Our kids are doing musicals starting at camp since the fifth grade. They...
...throats of hypocrites.” What a line! How perfectly matched are all those sliding consonants to Sondheim’s music. Many have said that “Sweeney Todd” is more an opera than a musical, and they’re not far off. Sondheim does not write songs that recapitulate a preceding scene in musical form. His songs move the plot along, they reveal crucial things about different characters, and they draw the audience ever deeper into the show’s own twisted charisma. The Mainstage production, however, still...
...crowd that Broadway has been chasing for years. Hair was the first show to really tap into the sensibility and musical tastes of a young generation, and plenty of musicals since then have tried to bring rock (or at least rocklike) music to the land of Stephen Sondheim and Jerry Herman. None, however, were as successful as Rent, which has grossed more than $280 million on Broadway, helped by a fervent audience of kids, many of whom saw the show multiple times...
...theater-savvy friend Victor Nelson asked me a few weeks ago about Sweeney Todd: The Demon Barber of Fleet Street, Tim Burton's film version of the 1979 Stephen Sondheim musical. He wondered if Helena Bonham Carter was up to the vocal challenge of the Mrs. Lovett role. She's excellent, I replied; but aren't you anxious about Johnny Depp as the mad barber? He's not a trained singer. "Oh," Victor said with a knowing laugh, "Johnny Depp can do anything...
...revenge, has never seemed so human or so bleak. It's no longer just a Guignol songfest, staring at its creatures, with fascination but not pity, from an Olympian distance above the cage in which they claw at one another. Inside this sarcophagus of a play, beneath Sondheim's cold-steel lyrics, Burton finds a pulsing, mournful heart...