Word: sondheimer
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...surprising that Stephen Sondheim, arguably the most influential living Broadway composer and lyricist, knows how to work an audience. Last Saturday night, he received a standing ovation as he walked into a packed Sanders Theatre to present “An Evening with Stephen Sondheim: An Onstage Conversation with Frank Rich,” an event organized by the Celebrity Series of Boston...
...Putting It Together” is the musical theater equivalent of Frankenstein’s monster. Just as Igor was dispatched to gather brains, arms, and legs from graves, so too does writer Stephen Sondheim pull together parts of other works to form a completely new whole. Opening tonight in the Loeb Experimental Theater, this revue of Sondheim’s work aptly combines songs from disparate musicals to form a “Reader’s Digest” of his oeuvre. For the director and cast, it’s simultaneously a simple, bountiful musical buffet...
...small, in many ways, has been good for his art. Moving off-Broadway - which he did with Sunday in the Park with George, his groundbreaking work on painter Georges Seurat - proved something of a relief to Sondheim. "I remember being very exhilarated," he says. "I found it liberating. It was nonprofit, so I could indulge myself. We were less worried about the commercial aspects of the piece...
...even as his shows have shrunk, Sondheim casts a long shadow, making it difficult for potential "new Sondheims" to grow. At the same time, globalization has boosted the McMusical: crowd-pleasing, corporate-franchised extravaganzas like The Lion King, which play seamlessly from Peking to Peoria. Sondheim, with his precise relationship with the English language, doesn't travel so well, with the exception of West Side Story and Sweeney Todd. "Amateur companies tell me that when they're doing a Sondheim, that's often the hardest of them to sell," says Lynne Chapman, of the U.K.-based Stephen Sondheim Society. "When...
...know who else theater companies say that about?" asks Night Music director Nunn. "Chekhov." When it comes to Sondheim, debate about the future of the musical misses the point. He occupies a place in the pantheon not of musical theater, but of theater itself...