Word: songã
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...career yet still sounds progressive due to the combination of drawn-out, mournful notes from Turner’s saxophone and the speedy and complex improvisation from Rosenwinkel’s guitar. “Deserted Floor” begins much more like a traditional blues song??slower, with a heavier bassline—but then progresses into a more contemporary sounding composition. In “Casa Oscura,” the album reaches its peak—Turner’s saxophone and Rosenwinkel’s guitar effortlesslyfuse to form one broad, rich sound...
...MTV’s The Real World, which is, like, totally a metaphor. Under Smith’s watch, these dichotoumous pursuits are, in fact, reconcilable. Indeed, blockmate Greg Padgett ‘02 attests that “Steve knows the lyrics to any and all rap song??be it old school or newly released. At parties you can catch Steve rapping along with Dr. Dre.” Smith waxes philosophical as he muses about these apparently disparate lifestyles...
...genre (and possibly fan-base) busting Kid A. And if Kid A alienated many during its stint as a bestseller, the companion album Amnesiac may have scared off even more with long periods of apparent downtime between opaque off-kilter songs exemplified by the single “Pyramid Song?? and scarcely a decent hook on the album. By most counts then, this is hardly the ideal time to release a live album, despite the ’Head’s recent successful tour. So, as with Amnesiac, there may be more to the title I Might...
...Malakian, bassist Shavo Odadjian and drummer John Dolomayan, include an aversion for American cultural and political hegemony, a desire for global recognition of and reparations for the Armenian genocide by Turkey, and a suspicion for virtually all aspects of the American political system. Their track “Prison Song?? makes the claim that the mandatory minimum sentencing for drug offenders has been proven ineffective in deterring crime and should be abolished, in addition to demanding an overall decrease in the number of law enforcement agents. The lyrics also quote statistics claiming that the American prison population...
...second single from Invincible, is an R. Kelly number that sounds like a rehash of 1986’s “Man in the Mirror.” Unlike the stirring original, this pale imitation is as rousing as a cup of warm milk. By the song??s end, the listener may want to take the advice of the track’s title...