Word: songe
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Dates: during 1990-1999
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...whole, Kohl's naivete and charm more than make up for his one-sided judgments. The passion he develops in the reader for elementary school is completely infectious and equally uplifting, while his students are more often than not downright cute (case in point, the Pee-Wee song: "I'm a Pee Wee / You're a Boo Boo / Get the heck out of here"). In spite of the flaws present in his approach or the occasional Elijian woe-is-me depression, Kohl's enthusiasm and unbroken spirit motivate and inspire, giving a bright point of light in the oft-maligned...
...Russell so skillfully that not only was Russell presented as a guest soloist, but during the interludes, the Bach Soc seemed a soloist by itself. Ever so delicately, Russell and the orchestra started the Adagio, the orchestra gently backing up Russell's beautifully fragile tone. A soul's love song, the Adagio, became Russell's song, putting heartfelt emotion into each note as he rocked gently back and forth to the music. What was most beautiful about this movement was the way in which Russell sustained the upper register notes, almost "sighing" over to the next measure and continuing...
...returned for this piece that treated different parts of the orchestra as soloists. A cello and harp started the piece, Tipler not even lifting his conducting stick for this performance. A surreal beginning with the resonance of the chords, this duet between the two instruments was a mysterious love song, only to be interrupted by a loud explosion from cello soloist Chris Thornton `01 that cunningly brought in the rest of the orchestra...
Each of the twelve variations featured one part of the orchestra as a soloist in this creative piece, such as a powerfully emotional viola solo by Sarah Darling `01, vibrant with chords and trills that built up tension. More solos came along throughout variations including a morning song by the oboe and bassoon, while the noticeable act of taking off the string mutes presented a disturbing trumpet and trombone variation, and led off to others such as the solo violinist, hornists and the return of the cello and harp. A lively end with a piccolo solo created a warlike effect...
...artist simply known as Rebekah starts to deliver on the album, Remember to Breathe. The first two tracks of the CD, "Hey Genius" and "Sin So Well," are confident, bold and matter-of-fact indictments of pretense and societal hang-ups concerning intellect and sex. Listening to these songs is a pleasure. The title track, "Remember to Breathe" ranks as the best song on the album. It may stand as one of the best twenty-something anthems...