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Word: songe (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...weather is just the sort of thing I like. What can I say? Cold and bright, dark and drizzly, thunder and lightning, hot sun and still air--the heavens can open up and give me anything they've got. Weather is wonderfully evocative, like an old song or a familiar smell. Hot, breezy sunshine transports me to my grandparents' house in southern California, and each clear, crackling autumn day calls up every back-to-school shopping trip I've ever taken...

Author: By Jody H. Peltason, | Title: In Defense of the Weather | 11/8/1999 | See Source »

Except for his name and party affiliation, Al Gore has now changed just about everything a struggling candidate can change: clothes, consultants, message, manner. But his campaign theme song--the cheesy tune that blares at every Gore 2000 event--still needs work. He started with Shania Twain's Rock This Country, but it only reminded people that the country isn't rocking for him. Since shelving Shania, Gore has used the soul anthem Love Train--a call to unity that rings hollow with Democrats still divided about the nomination. But there's hope. At the New Hampshire "town hall" forum...

Author: /time Magazine | Title: Campaign 2000: Please Don't Leave Me, Don't You Go | 11/8/1999 | See Source »

Haden's most recent album with his Quartet West, the ravishing The Art of Song (Verve), is a lyrical excursion across a landscape that embraces classical music (Rachmaninoff's Moment Musical), folk (Wayfaring Stranger), American popular song (Kern's In Love in Vain) and contemporary jazz (Jeri Southern's Theme for Charlie and Haden's own Ruth's Waltz). The only thing these disparate pieces have in common is Haden's singular vision, his insistence that this music beats with a single heart that pulses as steadily as his bass swings...

Author: /time Magazine | Title: Music: Without Limits | 11/8/1999 | See Source »

Despite some sweet moments and sincere performances, the show fails to register. One problem is that adapter Richard Nelson has moved the pivot of the story--a song that stirs memories in Gabriel's wife (Brown) of a long-dead boy who once loved her--to earlier in the evening, thus throwing off the rhythm of the piece. (Another change: she sings the song rather than hears it.) What's more, Walken seems blandly disengaged as Gabriel, missing the psychological tension, singing indifferently and barely hinting at an Irish accent. Walken used to be a Broadway dancer, but here...

Author: /time Magazine | Title: Theater: Dead Serious | 11/8/1999 | See Source »

...considered that my gender would factor into my life except in clothing decisions and prom dates. I see now how every decision I make is affected by my being a woman, how it affects my place at this school, on this planet, and in my mind. Williams sings a song entitled "When I Was a Boy," which focuses on the jolting change from androgynous youth to adolescent and adult society, where gender determines rules for behavior and lifestyle...

Author: By Amy NEDA Vegari, | Title: Listen to Music With a Point | 11/5/1999 | See Source »

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