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Word: songe (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...DOMINION Virginia finally retires minstrel-era song as official state tune. Don't carry me back anymore...

Author: /time Magazine | Title: Notebook: Feb. 10, 1997 | 2/10/1997 | See Source »

...kind of thing that almost anybody can do." All told, about a third of the first movie's special-effects shots were worked on, producing roughly 4 1/2 minutes of new footage--or at least "new" in the sense that Free as a Bird was a new Beatles song...

Author: /time Magazine | Title: CINEMA: THE FORCE IS BACK | 2/10/1997 | See Source »

...with other neo-soul performers like Maxwell, Groove Theory and Me'Shell NdegeOcello, she is creating music that expands the boundaries of conventional R. and B., with lyrics that explore social issues (as Marvin Gaye's used to do), melodies that draw readily from jazz and blues, and wandering song structures that go beyond the standard verse-chorus-verse format. Hollywood has taken note. The sound track to the upcoming movie Love Jones (starring Larenz Tate) has a neo-soul theme. So far neo-soul hasn't demonstrated huge commercial appeal. However, through canny marketing, Badu...

Author: /time Magazine | Title: MUSIC: BIRTH OF A NEW SOUL | 2/10/1997 | See Source »

...original "Du Bist Die Ruh," the piano keeps repeating a gently undulating phrase that is the ideal accompaniment for the song's simple melody. It is not a phrase for a harp to pluck--this "Ruh" was more irritating than peaceful. Baer seemed uncomfortable with the music being made around him, yet the strength of his voice did not waver. Like most people, he probably regretted Gillman's decision to end the song with a drum roll...

Author: By Matthew A. Carter, | Title: Cleveland Orchestra Makes Triumphant Visit | 2/6/1997 | See Source »

...Standchen" should have been the prettiest of the set, but Dohnanyi's tempo was too fast. It made the song's tenderness debonair. But the last song, "An Schwager Kronos," was perfect. Baer kept close to the text, and the orchestra's playing was wonderfully subdued, until the triumphant final fanfare, which sounded better in the horns than it ever could on a piano. The music was so, compelling that it more than made up for the few previous disappointments. Baer got the loud and abundant applause he deserved...

Author: By Matthew A. Carter, | Title: Cleveland Orchestra Makes Triumphant Visit | 2/6/1997 | See Source »

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