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Word: songe (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Just before he is to go on, Pat peeks through a narrow door in the balcony, the veteran thespian appraising his audience. He walks to a holding room across the hall. From downstairs, the music of Pat's rousing fight song, with the refrain "Go, Pat, go!" fills the small room. He pantomimes a softshoe, smiles at his wife and says, "Come on, Shelley, they're playing our song." But Shelley, hugging the wall, resists his overture, and moments later, Pat Buchanan, the old-fashioned footlights throwing dramatic shadows across his face, is onstage declaiming his dark poetry...

Author: /time Magazine | Title: CAMPAIGN '96: THE MAKING OF BUCHANAN | 2/26/1996 | See Source »

...dominant strain of the Republican Party. Buchanan sought to capture George Wallace's constituency for the Republican Party. As early as 1970, he was advising Nixon to exploit the roiling economic anxieties of the middle class for political gain, the same voters to whom he is singing his siren song now. "We should aim our strategy primarily at disaffected Democrats, at blue-collar workers, and at working-class ethnics," Buchanan told Nixon, according to Nixon's 1978 memoir. As a speechwriter, Buchanan used Vice President Spiro Agnew as a kind of ventriloquist's dummy for his white-hot resentments...

Author: /time Magazine | Title: CAMPAIGN '96: THE MAKING OF BUCHANAN | 2/26/1996 | See Source »

...sweet-souled egomaniacs are rewarded by improbable last-minute success, writer-director Kenneth Branagh's A Midwinter's Tale is a very acceptable update. Especially if you like Woody Allen too. For Branagh has adopted a number of Allen's mannerisms: shooting in black and white, using old songs for the score--in this case, frugally, just one song, Noel Coward's great anti-show biz anthem, Why Must the Show...

Author: /time Magazine | Title: CINEMA: SWEET SILLINESS | 2/26/1996 | See Source »

Khan's elegant new album Night Song (Real World/Caroline) takes the singer in a more worldly direction. Collaborating with Canadian producer-guitarist Michael Brook, Khan ventures into songs about earthly rather than religious love. On the song My Heart, My Life, he also experiments with phrasing that is more direct than the ethereal style of his qawwali work. On Crest, he reels off spiraling vocals over a beat that is almost funky. Says Khan: "I am trying to give my voice greater range." Purists may not like the fact that he's recorded such brazenly entertaining secular songs. No matter...

Author: /time Magazine | Title: MUSIC: PURE ECSTASY | 2/26/1996 | See Source »

Upon hearing of the innocent nature of the evening, Glassman took some advice from Kenny Rogers' immortal song "The Gambler...

Author: By Matthew S. Mchale, | Title: Gambling Night Investigated | 2/24/1996 | See Source »

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