Word: songe
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Dates: during 1990-1999
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Ricky Martin is what's going on. The hip-shaking Latin pop star has the No. 1 song in America, Livin' la Vida Loca. His self-titled new CD is setting sales records at stores across the U.S. And Martin is at the center of something bigger than himself. A host of other Hispanic performers, including vocalist Marc Anthony and actress turned pop diva Jennifer Lopez, are poised to release highly anticipated Latin-tinged CDs soon. Martin, in an interview with TIME, was so euphoric over his success he bordered on being Roberto Benigni-esque. "What are you kidding...
...Martin has plenty of both. His performance of the soccer anthem La Copa de la Vida at the 1998 World Cup confirmed his superstar status internationally; his pelvic-swiveling rendition of the song at the Grammys earlier this year proved a breakthrough as well. He had done the impossible: he had sung about soccer in Spanish and got Americans to care. What could be harder? A French-language ode to cricket? At the Grammys, Beck stood and clapped. Madonna signed on for a duet. Martin's stateside career was launched. Several publishers, including HarperCollins and St. Martin's, are already...
Enrique Iglesias, who was rejected by several major labels at the start of his career but who has since sold more than 3 million CDs worldwide, recently got a call at home from actor Will Smith, asking him to contribute a song to Smith's upcoming film Wild Wild West. Iglesias' English-language song Bailamos will be on the Wild sound track, and he is now considering recording a CD in English. But he says he will never leave Spanish behind. "I gotta remember something--what got me here was Spanish," says the 24-year-old Iglesias, son of crooner...
...brains and the beauty." When reminded of this, said lady writer breaks into peals of embarrassed laughter. "I guess that was me," confesses Marina Warner, whose second book, Alone of All Her Sex, a study of the Virgin Mary, came out around the same time as the 1979 song. "I wish I could claim something of more distinction in terms of popular culture, but I don't know that...
Richard Rodgers' grandson, the most provocative and promising of post-Sondheim theatrical songwriters, has taken a sharp turn on the road to Broadway: his latest composition is a song cycle about love, sin, doubt and transcendence. The music is composed in an utterly personal style that blends pop, gospel and classical influences; the lyrics weave together Greek mythology and Christian hymnody to complex, unsettling effect. Persuasively performed on CD by singers such as Audra McDonald, Mandy Patinkin and Guettel, Myths & Hymns is a major event in American popular song...