Word: songe
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Dates: during 1990-1999
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...father Vincente, director of such classic Hollywood musicals as Meet Me in St. Louis, An American in Paris and Gigi. In it she reminisces a bit, shows pictures from the family album, sings numbers identified with her mother that she would never touch before (like The Trolley Song from Meet Me in St. Louis) and demonstrates that her voice, if not the exuberant, no-holds-barred instrument it once was, can still curl stylishly around numbers like I Got Rhythm and Baubles, Bangles and Beads. A little nostalgia, a little Broadway pizazz, a little coming to terms with middle...
...master tapes. "I had had it," she explains. "Now I understand what Prince went though. I was ready to cheerfully quit the business forever." Fortunately, this is when Paul Thomas Anderson stepped in. While writing the script for Magnolia, Anderson heard a tape of some of Mann's new songs and liked them so much he began building characters around them. Claudia, the lonely cokehead played by Melora Walters, was inspired by the song Deathly. "Everything [Aimee] seemed to be thinking were things that I was thinking," the Boogie Nights auteur writes in Magnolia's liner notes. Mann's songs...
Listening to a Brion-produced song is like entering a tastefully decorated drawing room. Brion--who plays piano, drums and guitar--often fills his music with warm instrumentation but never overwhelms a song's emotional content. In his own compositions, his lyrics are playfully pensive. "I wish I could say that we'd fallen from grace," he sings on Dead to the World, a song from his solo CD. "But we never made it to that place." Says Brion: "The willingness to fall on your face pays for the moments that are a little more transcendent." He's now shopping...
...musical, which opened last week at Manhattan's Lincoln Center, makes a good case for the art-song approach but something less than a good musical. McDonald emotes powerfully and sings beautifully as the title character, the voodoo-practicing daughter in a family of mixed-race Creoles, who sets the tragedy in motion when she becomes the lover of a white ship captain and bears him two children. The racial theme--"I was a servant in my father's house," says Marie's brother, describing their white father's rejection of them--is provocative without pontification. And there are fluid...
...haven't heard that "Hey" song the last couple of times I went to go see the Edmonton Oilers play. What's up with that? I love that song...