Word: songe
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Dates: during 1990-1999
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...just outside Chicago), Thomas seems to be running things. But Wilson is unhappy with a run-through of Kiss Me, Baby, a classic Beach Boys tune. Somewhere in the middle of a complex arrangement featuring nine vocalists, he has detected someone singing flat. He asks to run through the song again and then abruptly calls a halt after maybe half a bar. He has identified the culprit, and quickly reworks the harmony to his satisfaction. This is the same in-command Brian you can hear at work on the Pet Sounds outtakes--pop's boy genius...
...occasion, seeming to drop out of the vocal mix altogether, he soon warms to the adoring crowd, tearing into his vocals on the up-tempo numbers, connecting to both the music and the audience. As the evening progresses, he grows comfortable enough to begin joking and ad-libbing between songs, revealing a sweet, almost childlike directness. Introducing his first encore, one of the great ballads from Pet Sounds, he says, "Back in the early '60s I used to sing like a girl, and here's a song I sang called Caroline, No." Earlier he had been getting...
...animal lover. A similar site, 123greetings.com offers a nice feature that allows you to order a card today for delivery, say, next Thursday. At the much smaller Micro-Images site microimg.com/postcards/) I placed a World War II plane on a dark blue background, added a military marching song and e-mailed it to my brother. He loved it! It was so simple, I felt guilty. For someone who thought cheap-and-easy usually meant tacky, I've learned how far a little novelty...
...Their first few songs proved that Sebadoh can still slam it home. Amid rebel yells from the audience, "Careful" and "Dramamine" filled the hall with jagged guitar and gunshot-like drums. Jason Lowenstein and Lou Barlow were joined by Russ Pollard, the drummer and collaborator on their latest album The Sebadoh, a fine new incarnation of this long standing band. This album, out of Sub Pop, is a mixture of ballads by Lou and yelling, fuzz-guitar romps from Jason and creates a tight, impressively "together" sound. Songs such as "Flame" and "Love is Stronger" are plaintive and sensitive, filled...
...Obviously tired, Sebadoh was not prepared for the raucousness of the crowd at the Roxy. Tired of chanting at the radio, people took the pauses between songs as opportunities to shout at Lou and Jason. Answering sometimes, Jason finally stated dryly, "Alright, people from Boston shouting." But like an irreverent monster beyond anyone's control, the crowd heaved and surged until finally it produced a young woman, who perched on the shoulders of someone near the front. Throwing both her shirt and bra at Lou, she crowd surfed until she was dropped, then clamored up onto the stage...