Word: songe
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...current copyright law: As Lessig explains, today's copyright laws regulate reproductions or "copies." But in a digital context, every time you listen to a song or play a video, that content is "copied" from a server somewhere to the hard drive in your computer. The same is not true when you crack open a book: "For most of American history it was extraordinarily rare for ordinary citizens to trigger copyright law ... RO culture in the digital age is thus open to control in a way that was never possible in the analog age ... For the first time, [copyright...
...government have relied on lawyers to fight digital piracy, Lessig highlights the much more logical approach of Apple CEO Steve Jobs, who chose to forgo such legal weapons in favor of a "fight-fire-with-fire" approach - Digital Rights Management, or DRM. This code limited the redistribution of iTunes songs, thus reassuring record companies that the online music store wouldn't be a total rip-off. "DRM was thus a speed bump: it slowed illegal use just enough to get the labels to buy in." But Lessig also notes the dangers of DRM. "At its most extreme, digital rights management...
...real tragedy of Karen Dalton’s life may have been that she was seen as an interpreter when she was more really a divine medium between those she sang for and the unsounded depths of a tune. She did not merely elucidate the fuller substance of a song or discover the unplumbed; she inhabited the songs she commandeered and established distinctly new profundities by weaving both deeply personal and universal narratives into her work...
...coalmine, because they were in some ways hypersensitive to what was going on in the world. They were expressing their feelings of powerlessness and they felt they should live, do drugs, drink, whatever to take the pain away.” Like Bessie Smith, when Dalton sang a song it seemed to first require a process of self-immolation, the details of which are not so much hidden by the beauty of the song as they are softened...
...thought of this recently when listening to “Something On Your Mind,” a song she sings with both a fragility akin to Billie Holliday in her most heroin-addled years and a strength that rivals Lady Day at her best. I realized that knowing the specifics of Karen Dalton’s life are not as essential as they might be for another artist, and filling in the gaps in my image of her was a potential waste of time, for her music is just that masterful—it contextualizes itself. It was then...