Search Details

Word: songed (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...chirping birds and some low strings. “Ah, let me see,” he begins. “That was in ninety-, eh, um, nineteen, no I beg your pardon, ninety...” fades out and it hits, the album’s first real song...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: NEW MUSIC: '64-'95 | 3/18/2005 | See Source »

...title is “’88 aka Come Down On Me,” and it begins an album in which each song title is prefaced by a year, which liner notes reveal to be the date of the samples used in the song. It’s a fine device, and it allows the album some excellent moments, but like the first track’s narrator, unsure of where to place it date-wise, the album’s songs seem uncertain of purpose, adorned, yes, with some beautiful melodies, but not adding...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: NEW MUSIC: '64-'95 | 3/18/2005 | See Source »

...suffers mostly due to its concept—something this ambitious needs to be pulled off in such a way as will better characterize the eras so openly and audaciously tapped for each song. Additionally, after the concept fails, the album wants for a totally blow-away single, which a band as low-key as Lemon Jelly seem unwilling to put forward...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: NEW MUSIC: '64-'95 | 3/18/2005 | See Source »

Back in Cambridge, Marx fronted the pop/indie band Usigapop, blending musical influences in songs such as “kar-li,” based on a Korean folk song. As the owner of an extensive collection of 1990s Japanese underground dance music, Marx also called himself “DJ Dokidoki,” spinning Japanese house and loungecore music...

Author: By Katie M. Goldsmith, CONTRIBUTING WRITER | Title: Pitchforkmedia Writer Starts Buzz with New Record Label | 3/18/2005 | See Source »

...last song of the concert, “Roland,” another bright light from 2002, wound to an end, blinding white lights flashed the audience like a sea of media cameras. Suddenly the lights dimmed to a hazy red, Carlos and Sam quietly exited the stage and the fate of the only note left standing is in Paul’s hands...

Author: By Nicole E. Rosner, CONTRIBUTING WRITER | Title: Rock Doesn't Tear Interpol Apart | 3/18/2005 | See Source »

Previous | 542 | 543 | 544 | 545 | 546 | 547 | 548 | 549 | 550 | 551 | 552 | 553 | 554 | 555 | 556 | 557 | 558 | 559 | 560 | 561 | 562 | Next