Word: songful
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Dates: during 1960-1969
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...version of the third movement from Mahler's "Resurrection" Symphony, as snippets of Debussy, Bach, Stravinsky and a dozen other composers float in and out of Berio's nightmarish stream of semiconsciousness. In one sense, the words do not matter; Berio is not interested in making a song. He is communicating a kind of life attitude that shrinks at the prospect of some unnamable terror. It is a musical collage of headlines persistently giving a warning of holocaust...
...particularly loves Harold Arlen and tells us so. In this case explanation aren't needed, for his rendition of "Sleeping Bee" makes his affection abundantly clear. When Hammond sings Arlen, he lowers his voice considerably and we understand. He shows us that the last lines of the song ("A Sleeping Bee done told me/I will walk with my feet off the ground/When my one true love I has found.") are special to him. He makes them special for everyone listening as well...
...Ruth Buzzi, 28, from Wequetequock, Conn., plays Gladys, the man-hungry frump in the hairnet and ratty sweater-a character she developed when playing the spinster secretary in a summer-stock production of Auntie Mame. A graduate of 20 cabaret revues, she excels at song-and-dance numbers but is guaranteed to break it up when, as Gladys, she confides: "I never go out with soccer players. I hear they're not allowed to use their
...original and daring as his composer pals Edgar Varèse (whom he always called "Goofy") and "Charlie" Ives. The correctness of that judgment again became clear last week at Bennington, Vt, where Ruggles' friends, colleagues and neighbors staged a concert of his complete works. There were a song cycle, Vox damans in Deserto, a piano suite called Evocations and a short composition for muted brass called Angels. Most impressive was the granite-hewn intensity of his orchestral miniatures, Men and Mountains, Portals and Organum. His most ambitious work, the tone poem Sun Treader glinted with...
...business trip and asks the maid, Dorine, what has happened during his absence. She answers that his wife has been sick, indeed had to be bled. But Orgon is interested only in hearing about Tartuffe, the religious man he has gathered into his home. There is a wonderful, almost song-like exchange between the two as Dorine tells of her mistress' suffering, and Orgon answers over and over with the refrain "What about Tartuffe?" And as Dorine describes his glutonous feasting, Orgon answers with "Poor fellow...