Word: songful
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Dates: during 2000-2009
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...that time of year again--time for another remix challenge, courtesy of the College Events Board. The task? Create a remix to our favorite fight song, 10,000 Men of Harvard, for this weekend's Harvard/Yale game...
This long remix is carefully crafted. Beginning with the distant sounds of the Harvard band, seemingly in the background, this remix soon adds in fitting electronic beats to create a stretched out version of the song with a seemingly "epic" feel...
...excellent example of the beauty of slower, exacting, and quieter tap-dancing. Driscoll, Kurdyla, and Wruble performed tight tap rhythms that counterbalanced the choreography’s whimsical use of gestures such as yawning, stretching, and falling asleep. The three dancers precisely and calmly complemented the mellow song with their footwork, infusing the piece with effervescence without being overbearing...
...what’s best about this number is the struggle Kurt brings to it. “I’m through accepting limits ‘cause someone says they’re so,” go the empowering lyrics, but his performance turns the song into a tragedy about accepting limits, and he’s near tears from the first note to the final, self-sabotaged moment...
...murderer’s row of pop songwriters: Max Martin, Savan Kotecha, Chantal Kreviazuk and—now it all begins to fall into place—”American Idol” judge Kara DioGuardi. DioGuardi is partially responsible for “Mama’s Song,” a toe-curling piece of moralizing that, along with “Change” and “Temporary Home” (about homelessness), constitutes the album’s musically and emotionally hollow core...