Search Details

Word: songful (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
Sort By: most recent first (reverse)


Usage:

...more unimaginative. The opening of “You’re Not My Girl,” for example, mimcs the bass line on Queen’s “Another One Bites the Dust,” making use of an almost identical rhythmic structure. The song is more than unoriginal, however; it feels sparse and cheap, a sense that arises from Leslie’s lack of bass or resonance, which in turn makes his songs seem filtered and light...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...voices combine to nice effect, presenting two different sides to the classic American man: bruised and tough, soulful and exposed. The duo exhibits an effortless mastery of many classic tropes, employed without pretense to keep the album engaging and honest. Unfortunately the album’s traditional song structures and generally unremarkable music cause the songs to run together, and, at times, it feels like Molina & Johnson are playing the same song with small variations over and over again...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

...Texas songsmith Sarah Jaffe over a plodding guitar line that sounds as if it’s plucked from an early Robert Johnson recording. Featuring a singing saw—an instrument whose existence is easy to forget, but whose presence is impossible to ignore—the song feels like a slow drive down a pitch-black southern road in the heart of autumn. It’s hauntingly beautiful and the traditional sounds it employs are not often heard in modern music...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

Eschewing the simplistic, traditional structure of their other songs, the more uptempo “Almost Let You In” resists the stagnation with which the rest of the album flirts, and is one of the record’s better tracks. “Almost Let You In” features a comparatively complex and propulsive guitar melody. However, the addition of a distorted single-note piano line that glides like a phantom and the far-off stomp of the drums is what truly makes the song. The number also highlights the strength of the vocalists both...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

Weezer used to be geek rock titans, singing charming love songs over mellow California-pop melodies. Their self-titled debut and sophomore album “Pinkerton” eschewed the oft gloom-ridden nature of early ’90s grunge and pop rock. In the years since, Weezer has released a series of disappointing albums that have driven the band more toward a radio pop direction. Their latest album, “Raditude” is the current apex of that progression. Weezer frontman Rivers Cuomo ’99-’06 is notorious...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Weezer | 11/6/2009 | See Source »

Previous | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | Next