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Word: songfulness (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...playing in a local nickelodeon for $12 a week. Scarcely tall enough to see the screen over the battered upright piano, she rattled off loud, hectic accompaniments for villains, soft, trembling tunes for injured heroines. Occasionally from her place in the pit she would sing a song or two. Her singing got her a $50-a-week job at Mellone's Restaurant in New Haven...

Author: /time Magazine | Title: Metropolitan's 47th | 11/9/1931 | See Source »

...Laurence Olivier, a mild spoken English actor with unusually good camera presence, and Lionel Barrymore. Barrymore, the best leerer in his family, achieves facial contortions of unparalleled eloquence; he has added a scratchy guffaw to his paraphernalia of lechery. Good shot: the scene in a cabaret in which a song sung by the performers reminds Barrymore where he first saw Elissa Landi...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 9, 1931 | 11/9/1931 | See Source »

...foster-brother Cyrena Van Gordon sang Wagner's siren song in a nurse's uniform, to a bare piano accompaniment, but in Philadelphia last week she sang it in its rightful pagan setting. Languorously, with blandishment in every tone, she tried to stay the truant Tannhäuser whose torn soul was marvelously depicted by the stately chords of holy Pilgrim music and the madly skirling strings of a Bacchanal. Tenor Gotthelf Pistor had the nasal, strutting manner of most German tenors, but his Tannhäuser showed a certain dark-toned dignity. Conductor Fritz Reiner made...

Author: /time Magazine | Title: Music: Philadelphia Curtain | 11/2/1931 | See Source »

During much of one day's testimony Snorkey had his eyes on slim Beatrice. Lillie, who sat with the reporters. He wanted to meet her, but his lawyers objected. Chirruped Actress Lillie: "Well, I wasn't billed, but if pressed I'll sing a song...

Author: /time Magazine | Title: CRIME: Capone & Caponies | 10/26/1931 | See Source »

Lacking anything to make it distinguished, Everybody's Welcome has enough of everything to make it diverting. Oscar Shaw & Harriette Lake sing a silly song ("Lease in My Heart") so well that it will probably become a minor hit. (Two nights after the play opened "As Time Goes By" was a major hit in Manhattan nightclubs.) Flexible little Ann Pennington dances as well as ever; the Albertina Rasch Girls give one good number, one poor one (pseudo-bolero). Funniest number: Thomas Harty in a crazy, drunken dance...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 26, 1931 | 10/26/1931 | See Source »

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