Word: songfulness
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Still, Melton jokes that his biggest challenge will be learning the Eliot song...
...different vein, “I Speak Because I Can” also contains some less complex songs which represent Marling’s calmer side. The second track, “Made By Maid” is unique on the album in its simplicity. The track features only Marling’s vocals and guitar, and because of its spare quality, her gorgeous voice and poignant storytelling are able to stand out. The song testifies to Marling’s ability to tell tales well beyond the scope of the average 20-year-old, convincingly recounting the experience...
...electric guitar, lend the track a sense of robustness and complexity, and their effect is truly satisfying. Additionally, Marling’s vocals seem to achieve a rare level of abandon on “Rambling Man.” In the middle and final parts of the song when the instrumental elements reach their peak of volume and passion, Marling’s voice mirrors them by taking on a surprising strength, reaching alternately lower and higher than her usual range. Taken together, these features make for one of the best, strongest songs on an already exceptional album...
...album’s tracks seem similarly polished and ebullient, with a steady resolve and undeniable infectiousness. Unfortunately, “Wu Massacre” as a whole lacks a sense of integration. It appears that almost no attention was paid to the track sequencing, and the songs proceed in a decidedly clunky manner. This is illustrative perhaps of a lack of attention to the overall feel of the album, which ends up seeming like a collection of great songs pushed thoughtlessly together. There is also perhaps a certain hastiness in the way in which “Wu Massacre?...
...vocal performance. Shameful of the stereotypes of the housewife, Mitran says, “All I am is someone’s mother; all I am is someone’s wife.” Despite the judgment of others over her lack of a career, Mitran ends her song with pride, declaring, “What I choose to do may be dumb...