Word: songfulness
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...Lonesome Me" features Lucinda Williams, what was that like working with her? I was beginning to record that song and I started to hear her voice come out of the speakers. I have been a fan of hers for a long, long time; she has just one of those voices that when you hear it you never forget it. It just seemed like it would work better with her, so we invited her to do the duet. She said yes and I was thrilled. I had never met her before...
...made a record with Zooey Deschanel under the name She & Him. How did that project come about? I was doing music for a film that she was starring in called Go Getter. The director had an idea to put us in the studio together to record a Richard Thompson song. So we met in L.A. and got along really well and eventually she sent me her demos and I thought they were incredible, so I told her you know, "Let's make a record." She came up to Portland and it took about no more than two months to finish...
...length hair and the stony, “I don’t give a damn” look. However, his style must have been too hip a statement as both Drummey and Wallach get brutally beaten in the music video by a girl half their size. As the song kicks into higher gear, the blows on the duo continue and Wallach, in particular, can’t seem to get enough. Looking hopelessly pathetic, Wallach smiles through the punches, helplessly devoted to his vicious attacker. The viewer can’t help but be reminded throughout the video...
...year-old teacher of Harvard’s newest music class doesn’t notice students coming in as he discreetly dances to Beyoncé’s “Single Ladies.” Playing from his iPod, the song fills the room. When class starts, he stops dancing—for the most part, at least—but the iPod never goes away.The students of this music class are more likely to study Bob Dylan and Michael Jackson than Beethoven and Mozart. In fact, Backstreet Boys is on the syllabus...
...seeming reversal on their word count policy, prefer to forego their surnames—are much better at making music than they were at christening themselves.On their self-titled debut album, they prove themselves to be unapologetically dedicated to crafting tight and wistful three-minute pop songs. Boy-girl, matchy-matchy harmonies are blissfully paired with jangling rhythms and mumbled chords.To say that POBPAH’s music is derived from Twee—that dainty, sweet style that emerged from mid-80s England, then-described by music critic Simon Reynolds as “a revolt into childhood?...