Word: songfulness
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...become ever-so dependent on their personal music-playing devices. The ability to carry one’s personal collection around, accessing old favorites and recently downloaded hits at the slight shift of a thumb, has replaced the frustration of waiting for your favorite radio station to play your song of choice...
...It’s all pretty exciting, except for the fact that, here at Harvard, we’re dealing with our own bit of thrilling news. No, Tommy Amaker has never sampled a Jackson 5 song, has never had his own TV show on Nickelodeon, and his dad never made ‘em say uhh, but he did win an NIT title...
After the fiercely individual “Jazz Impromptu,” the Monday Jazz Band’s performance of “Elena Elena” had a completely different sound. It opened with a steady beat until Lynch broke the song open with a rapid-fire trumpet solo. Ending with the whole band playing together, the final notes continued to resonate even as the crowd clapped...
...most daring piece of the night was “Ars Biologica,” choreographed and performed by Shannon B. Maene ’07 and Orlosky. Set to a funky song by Talking Heads, the duet entailed Maene pursuing Orlosky in an animal-like fashion, and involved a lot of jumping around and head bobbing. Although slightly humorous, the piece was at least entertaining and certainly memorable...
...duet choreographed by Brenda Divelbliss to a Johnny Cash song, was another example of how “Levity” suffered from a lack of expression or communication. Although James C. Fuller ’10 expertly used his body and facial expressions to converse with his partner, Todorova, as well as with the audience, Todorova wore the same blank expression throughout the piece. This stark difference between the two performers changed the total effect of the piece, overshadowing both the choreography and the dancing...