Word: songfulness
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...that the final track of an album is its most telling, but Brooklyn-based alternative rock band MGMT’s sophomore release, “Congratulations,” achieves just that with its title track; an acoustic ode to success and the acclam that accompanies it. The song, much like their debut album’s opener, “Time To Pretend,” is puzzlingly ironic, in that one is pretty sure it is ironic, but can only guess to what extent. Whereas “Time to Pretend” presented an obvious pastiche...
...When I was stuck he’d make me memorize elaborate curses / Tinctures and formulas to ditch the chori and flip the verses”—all this doubt alienates the listener, who will have a hard time finding any emotional anchor in the song...
...adulation not so funny.” If MGMT had the guts to release the track as a single, it would have been one of the best of 2010 so far. As is, it will have to settle for being the best album track of the year. What the song actually means, though, is almost completely impossible to tell...
...isn’t supposed to be easy or accessible. Many may listen to it once, find nothing of interest, and discard it. But that will be their loss. Whether it’s the Kinks-like tongue-in-cheek third-person storytelling of “Song for Dan Treacy,” the Berlin-era, Bowie-esque piano instrumental “Lady Dada’s Nightmare,” or the seeming dozens of stylistic shifts through 12-minute album centerpiece “Siberian Breaks,” the album is full to bursting with...
...year-old Park is best known for his track “Life is a Song,” which was chosen as the final song on the 2006 series finale of the Fox TV drama “The O.C.” This may have been Park’s big break—he notes the strangeness of seeing his song covered on YouTube by hundreds of fans—but Park himself didn’t tune in. “I’m thankful for [the opporunity]. But I’ve never seen...