Word: songs
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Dates: during 1950-1959
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...swivel hips belong to Singer Pat Suzuki, and, like Miyoshi, the chubby Nisei is bouncing through her first Broadway part. Whatever else may be said for or against Flower Drum Song, it brings to Broadway two of the most endearing stars in many a season-surrounded by a fascinating Oriental chorus line that will give the most jaded Stage-Door Johnnies a new incentive...
...thing Pat and Miyoshi seem to have in common: for as long as either of them can remember, each of them seems to have been rehearsing her part in Flower Drum Song...
...extra boys, all apprentices from her father's thriving iron factory. No one paid much attention to her, Miyoshi remembers. She was too little. But she managed to steal into the neighborhood Kabuki theater, and had money enough for "ice" candy. Today, onstage, she sings her Flower Drum song...
...Song Is Heart. War came when Miyoshi was 13. After V-J day, when American ships appeared in Otaru Bay, things began to look up again. So did Miyoshi. She looked up at the tall, uniformed foreign sailors and discovered that she liked them. But the discovery was not made without guilt. Miyoshi says: "You can't look at eyes. It's not feminine. You should look down. It's not really insult, it's not pretty." Her English-speaking brother brought three of the Americans to the Umeki home as guests. There were Edward Giannini...
Through the early winter of 1945, the three G.I.s went to the Umeki home almost every night. Usually the plump 16-year-old sat in the background eating apples, but one night Giannini egged her into trying a song. (At the time, Rodgers and Hammerstein, having triumphed with Oklahoma!, had just opened Carousel.) Miyoshi was still self-conscious because her voice was not the usual high-pitched Japanese voice, but Giannini put her at her ease. "This American man gave me courage," says Miyoshi. "He said, 'Don't feel ashamed of your voice. Song is not only voice...