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Word: songs (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...categories. Each brings to mind a genre of music and the environment it thrives in. "Edge of the Blues" is explicitly modeled after the sinuous, superstitious rhythm of jazz, blues and gospel. The stanzas wind through snatches of borrowed lyrics and a pair of lines reminiscent of a slave song, whose plea has been transported into a scene of city night life: "Just show me God, quick./Then let me sleep./...and all the soft windows of the neighborhood/are darkening, one by one." There's a snake in the poem--it is embodied by the restless musicians and their instruments...

Author: By Anemona Hartocollis, | Title: Talk Me Down | 2/25/1976 | See Source »

Revised Order No. 4 applies, with few exceptions, to every employee of Harvard University. It covers kitchen workers, maintenance personnel and professors. It affects all of us and binds us together more effectively than the singing of any Harvard song or attendance at any football game. No matter how little or great your love for the University, no matter how quickly you would like to leave, or how long you would like to stay, Revised Order No. 4 is your constant companion. It is federal law, and it is a law which some would like...

Author: By William Fletcher, | Title: Affirmative Action at Harvard | 2/24/1976 | See Source »

...Harriet Tubman crouches behind a stand of trees that edge the slave quarters of a Maryland plantation, her song wafts across the dark night. "Who's that yonder dressed in red?/ I heard the angels singing./ Looks like the children that Moses led./ I heard the angels singing." The plaintive melody is a mythic signal, readily understood: she is the "Moses" who is leading her people out of bondage. Moments after Harriet's song has ended, the passengers join her on the Underground Railroad, moving North to freedom...

Author: /time Magazine | Title: Books: Notable | 2/23/1976 | See Source »

...words point away from the multiple characters and episodic structure of part I to Monk's tightly-compressed solo in part II, away from the discovery of a collective past to the memory of an individual past. Monk roots part I in gesture, part II in song...

Author: By Susan A. Manning, | Title: Dream Journeying | 2/18/1976 | See Source »

Like its "chairmadam" (really), the organization's style and language are colorful--and noticed. "For Love and Money" is its theme song; "My ass is mine" is COYOTE's completely serious motto...

Author: By Marilyn L. Booth, | Title: New Tricks in the Labor Zone | 2/18/1976 | See Source »

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