Word: songs
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Dates: during 1970-1979
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...from Leading Lady Barbra Streisand. Since shooting sessions lasted far into the night, the actress rang punctually at 2:30 a.m. "Hum me the music for tomorrow," she would request. During one predawn chat, Streisand asked Goldenberg if the movie's final measures could be extended into a song. "Sure," he replied. "Have it by 4," purred La Barbra. "I wrote like mad," Goldenberg recalls. "When she called, I hummed her the tune. She liked it, and the next day we got the word writers, Marilyn and Alan Bergman, to fit it out with a lyric." They booked...
...exception to the general air of unctuous duplicity is an outsider, a Hollywood choreographer brought in to stage the song-and-dance numbers. Appealingly played by real-life Choreographer Michael Kidd, he treats his charges roughly, without cant, but with genuine, humorously phrased care for their welfare. He almost cons the viewer into believing that the film actually has a heart ticking away fitfully some where near its sneer-meter...
...years following the Civil War, the eight-hour day became the central issue for the trade unions. The Eight-Hour movement produced a passionate surge of feeling among workers that was reflected in dozens of songs characterized by the promise of the millennium once the goal had been achieved. One song, appearing in the monthly magazine of the American Federation of Labor, was entitled Hip! Hip! for Eight Hours. The chorus proclaimed...
...Hartman household when the phone rings. It is the police, who have arrested Mary's Grandpa Larkin as "the Fernwood Flasher." A shocked Mary says, "I can't talk now; I'm on the phone." Meanwhile, Tom is at work being regaled by Charlie with the song that his Loretta wrote about mass murder -from the murderer's point of view. "That's not a subject for singing," says Tom. "Course it is," replies Charlie. "Country and western is all about real things like murder, amputations, faucets dripping in the night . . ." Then he breaks into...
First he explains the mania that provoked him. Like such disparate figures as Molly Bloom and Richard Nixon, Theroux says he has always been lured by the siren song of a train whistle: "I have seldom heard a train go by and not wished I was on it." Thus his trip represented a once-in-a-lifetime act of massive self-indulgence, plus the chance to experience firsthand "the trains with the bewitching names: the Orient Express, the North Star, the Trans-Siberian." As an added bonus, the trips threw him together with several novels' worth of offbeat characters...