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Word: songs (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...second style is represented in "Deserts," a duo mime with a surrealist tone. The piece is moribund in mood, somewhat reminiscent of Beckett. It is echoed by the somber song of a cello on stage, and two clarinets serenading one another from the balconies of the hall. In another piece, Kyr also uses an unusual spatial arrangement of sound. "Struggles in Passing," a dance mime about the nature of work, is accompanied both by a tape produced using subway noises and conversations, and by the ensemble of flute, tow clarinets, celesta and piano. The sounds of the instruments filter...

Author: By Katherine P. States, | Title: Between Dance and Drama | 2/22/1979 | See Source »

There was more to Waller's music than the swoony "Honeysuckle Rose," his most famous song. Many of the numbers furnish a disturbingly candid view of Harlem life. The eerie "Viper" describes a marijuana dream, in which the singer imagines "a reefer--ten feet long." And every line in the poignant "Black and Blue" furnishes a clear statement of what being black meant in America then, and sadly enough, now--making a brilliant double-entendre out of the word "black...

Author: By Troy Segal, | Title: Simon at the Shubert and Spies at the Pudding | 2/22/1979 | See Source »

...unfortunate and unfortunately common mishap of albums is the mistaken exclusion of a track. In the case of All Fly Home, "Love Sweet Love" has been deleted. Although the lyrics are listed and the album cover stated that the piece is the only song Jarreau does not sing, the song fails to appear on the disc itself. Probably with good reason. If Jarreau didn't sing...

Author: By Brenda A. Russell, | Title: Two New Super Vocals | 2/22/1979 | See Source »

...great game of BASEBALL, BASEBALL... --St. Bernard's School (N.Y.C.) Baseball song...

Author: By Bill Scheft, | Title: Diamond Time is Nigh | 2/21/1979 | See Source »

...might fairly be called "experimental": "Theme," "Fodderstomf," and "Religion I and II." "Theme" grates along for over nine minutes, with Lydon repeatedly wailing in a disembodied voice "I wish I could die" over a ponderous bass line. At the coda, Lydon intones "terminal boredom," an apparent gloss to the song. "Fodderstomf" features a disco bass line and the refrain "We only wanted to be loved" chanted in a sort of Monty Python falsetto. In the background we hear Lydon variously maundering belching, and playing with a fire extinguisher, for almost eight minutes. One manifest fault of these tracks is their...

Author: By Paul A. Attanasio, | Title: The Rotten Image | 2/21/1979 | See Source »

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