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Word: songs (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Streets represents a slightly new direction for Chicago. They de-emphasize the familiar script Chicago emblem on the cover, put their pictures up front for the first time, and try a different musical tack. They even use the Bee Gees for background vocals on one song. But the similarities are more important than the changes. Hot Streets is another high-class Chicago album, another platinum-to-be. Chicago is "Alive Again...

Author: By Eric B. Fried, | Title: Alive Again | 10/18/1978 | See Source »

...problem with Hot Streets is its narrow focus on love and the loss of love as song subjects. Only the fact that Chicago can do a love song in a great variety of styles and patterns--from slow and moody, to light and airy, to classic bop-bop-bop hard rocking--saves the album from an over-specialization of theme. Still, one wishes they would throw in a few of the political songs they once did, before the '70s musical paradigms ruled out everything but immediate gratification as valid musical topics...

Author: By Eric B. Fried, | Title: Alive Again | 10/18/1978 | See Source »

Perhaps the best love song is "No Tell Lover," which treads a fine line between being too up to be true and being too down to keep from falling into a sentimental stupor...

Author: By Eric B. Fried, | Title: Alive Again | 10/18/1978 | See Source »

...album's lead song, "It's a Laugh," provides the newest offering for their "at-large" following. With a strong saxaphone line from the latest of the group's sax players, Charlie DeChant, "It's a Laugh" combines breezy lyrics with a light pop tune that has already appealed to "top pop" listeners...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

...such a cut contrasts dramatically with a tune like "Have I Been Away Too Long." The song is a showcase for Daryl Hall's free-wheeling, bluesy vocal style. He scales to ear-shattering highs and teams with John Oates for swirling harmonies that sharpen the tonal disparity between their voices. It's a fine song reminiscent of many earlier Daryl Hall tunes, but it probably will be disliked by many listeners because of its loose sound...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

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