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Word: songs (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...beginning to your notes.") Says Stoltzman: "I don't like how the clarinet sounds most of the time. In the official style, you don't have enough freedom to wander." His own clarinet, by turns, mimics the fluttery delicacy of a flute, the finespun song of a violin, a bassoon's dark, melancholy air. His playing refuses to sound well-schooled. Even Mozart runs take off so spontaneously that Stoltzman might almost be improvising-as he often does. He recently took part in a jazz workshop at the University of Tennessee at Knoxville and let fly with...

Author: /time Magazine | Title: Music: A Young Virtuoso Goes Solo | 8/14/1978 | See Source »

...Promise, when he sings about making "my peace with the past." He dropped The Promise from his new album, fearing that it could be narrowly interpreted as a comment on his legal hassles, which he believes have been credited with "too much affect on my writing." He performs the song in concert, though, and its dour, defiant spirit haunts the album nonetheless...

Author: /time Magazine | Title: Music: Cruising Through the Darkness | 8/7/1978 | See Source »

...Decline and Fall of the Entire World as Seen Through the Eyes of Cole Porter--The definitive-obscure Porter song revue. At the Charles Playhouse III, 74 Warrenton St., Boston...

Author: NO WRITER ATTRIBUTED | Title: STAGE | 7/28/1978 | See Source »

...present rate, rock stars may soon become the most ubiquitous movie folk heroes since cowboys had their heyday. Already this year we have seen films about the rise of '50s Deejay Alan Freed (American Hot Wax), the advent of the Beatles (/ Wanna Hold Your Hand) and the swan song of The Band (The Last Waltz). Now comes The Buddy Holly Story, a biopic about the pioneer rocker who died in a plane crash at age 22 in 1959. In many ways this film resembles the rest of the crop: it is rousing, if imperfect entertainment that treats its hero...

Author: /time Magazine | Title: Cinema: Memory Lanes | 7/24/1978 | See Source »

There is a superb opening sequence, set in a desolate Texas roller rink, where Holly suddenly segues from a tame Les Paul-Mary Ford hillbilly song into a hard bopping number. As the music brings the singer and his audience to life, we begin to see how rock unleashed the nation's sexuality. Later on, the film captures the rigors of the road, the vicissitudes of the fledgling rock industry and, best of all, Holly's role in bridging the gap between the white and black music...

Author: /time Magazine | Title: Cinema: Memory Lanes | 7/24/1978 | See Source »

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