Word: songs
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Dates: during 1980-1989
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They perform with a Harlem gospel choir on a version of I Still Haven't Found What I'm Looking For that becomes a bit of casual exaltation ex rock cathedra. They cook up a new song for the great bluesman B.B. King, When Love Comes to Town, and kick out the jams together. They corral Dylan into playing Hammond organ on an extraordinary new tune, Hawkmoon 269, and press him into harmony-singing and lyric-writing service on Love Rescue Me, a high point not only for the band but also for their informal spiritual adviser. The Edge...
...defense he was equally ubiquitous. He even filled in for the band, annoyingly chanting the Wolverine fight song after each touchdown, emphasizing his triumph by pointing his finger in the defense, which consisted...
...conspire to create drama. Always it came down to the final play of the game, the clock running out as dinner time approached. It always ended with a goal line stand, a fourth down and one situation, and the inevitable two-point conversion effort. And then the fight song, and the finger jabbing. And then game day would return that next afternoon...
...lives like a song, still playing. Harvard Beats Yale...
...musical and emotional center of the show, and Jacqueline Sloan more than lives up to the challenge. From her first appearance as a scheming 15-year-old to her last pain-filled lament while dying of cancer, Sloan dominates the stage. When she finishes the show's signature song, "Don't Cry for Me Argentina," the whole audience cheers along with the descamisados. In previous musicals, Sloan has been stuck with absolutely awful scripts and worse supporting casts, but in Evita she at last has the chance to shine...