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...Manhattan hotel shortly before Glee's April 13 return from a four-month hiatus, Lynch characterizes the show's student singers, without irony, as "a group that just wants to make a joyful noise." She tears up recalling her own high school choir experience. She bursts into song. Five times. And though she says Sue Sylvester "doesn't live too far from the surface," the Glee character she feels the most kinship with is Tina Cohen-Chang (Jenna Ushkowitz), a wallflower who fakes a stutter to mask her shyness and generally confines herself to the chorus. "She's kind...

Author: /time Magazine | Title: Best in Show | 4/26/2010 | See Source »

However, these pirates do not disappoint. The Pirate King (Ilan J. Caplan ’10) has a gravitas that makes one of the show’s many exuberant refrains infectious: “But I’ll be true to the song I sing, and live and die a Pirate King.” The strength of the supporting cast sometimes threatens to overwhelm Frederic’s character—which Nelson, either purposefully or not, imbues with a sense of weakness—but that is, perhaps, the point. Frederic—who stubbornly holds...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

...tone, Wainwright here describes a kind of loss that avoids the lure of saccharine self-pity. His imagery, of an earth “lumbering on” and of galactic dreams, is sweet and clear without being cloying. After a brief and discordant piano part, Wainwright ends the song by belting, “I truly loved / Which is harder to do, yes it’s harder to do / Yes it’s harder, harder, harder, to do / Than to dream of.” The repetition of the word “harder?...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

...fairly contrived rhyme, and Wainwright is searching too hard for a list of things to eat for breakfast if he has to separate “your folks” and “your kids.” In a broader sense, the childlike fun of this song is pestering, even vapid, whether or not it is intentional...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

Cudi’s regular set ended with easily his most famous song, “Day ‘n’ Nite,” the perfect example of how his set failed to move beyond his recorded output. For the first half he performed the well-known Crookers Remix of the song, which perfectly reproduced the ample dance beats of the original, and little else. Other than a few shout-outs to his first album, the majority of Cudi’s set consisted of underground songs that he cited from his pre-fame mix-tapes...

Author: By Chris R. Kingston and Alex C. Nunnelly, CRIMSON STAFF WRITERS | Title: Day or Nite, Yardfest Does Not Entertain | 4/20/2010 | See Source »

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