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Just as the film is missing much of the rabid fan appreciation typical of Jackson’s shows, his rehearsal performances reveal a subdued version of the explosive entertainer’s song and dance capabilities. Often reminding his colleagues that he’s conserving his energy for the actual show, it’s hard not to wonder just what the final product would have looked like, though the film certainly captures a great deal of his signature showmanship. Still, the lack of opening-night caliber fanfare allows “This Is It?...

Author: By Roxanne J. Fequiere, CRIMSON STAFF WRITER | Title: “Michael Jackson’s This Is It” | 10/30/2009 | See Source »

...it’s because the director is all too familiar with Jackson’s creative process, having worked with Jackson on his last two world tours. Ortega utilizes split screens to show the barely discernible variations of Jackson’s dancing, jerkily grooving to the same song on three different occasions. He often focuses on his facial expressions—a tense grimace taking shape when something doesn’t sit right with him and a serene smile of satisfaction when a musical number has gone off without a hitch—as well...

Author: By Roxanne J. Fequiere, CRIMSON STAFF WRITER | Title: “Michael Jackson’s This Is It” | 10/30/2009 | See Source »

...their tastes and influences. The individual value of each of the 20 tracks on “Tabloid” is apparent to the listener—both in terms of their musical and emotional significance—as a testament to the group’s careful song selection as well as an inspired sequencing of tracks. That much of the offering centers around mid- to late-century rock and soul music is no surprise for a group that got their start playing Hank Williams and Prince covers in bars...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...than shots of a spinning turntable with the band’s commentary edited over the music, “Musicvision” is certainly a commitment. The video, directed by Guillaume Dellaperriere, confirms what Phoenix was only able to say through implication on the Kitsuné record. A song by foundational ’60s band The Red Krayola “Victory Garden,” for instance, is featured on both outputs. Whereas on the “Tabloid,” the song’s appeal and relative significance is left for the listener...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...ramshackle radio station nestled in former guerrilla territory, a Colombian soldier-DJ dedicates a country-and-western-style ballad to all the rebels out there having second thoughts about la revolución. In the song, a former guerrilla touts the benefits of disarming. "My life has changed," he declares. "Now I've got a girlfriend. I'm with my family. I give thanks...

Author: /time Magazine | Title: Why Colombia's Leftist Guerrillas Are Defecting | 10/30/2009 | See Source »

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