Word: songsmith
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Dates: during 1940-1949
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...ditty bringing the story up to date. Lyricist Tommie (Under the Spreading Chestnut Tree) Connor, who had written a set of words for an English version of the original Lilli song, had figured that most of her wartime admirers were back home with wives of their own; so, with Songsmith Johnny Reine providing matrimonial music, he had made an honest woman of her too. Sample from their The Wedding of Lilli Marlene...
...proud papa was Songsmith Frank Loesser, a Hollywood Tin Pan Alleyite whose specialty is producing catchy, shortlived jingles about leaky faucets (Bloop, Bleep) and slow boats to China. But Baby was not even written for public consumption. Loesser ran it off five years ago as a comedy number for himself and his wife, Lynn, to sing at parties. It was surefire when his songstress wife, with appropriate handwringing, began singing "I really can't stay . . . I've got to go 'way," and Loesser answered pleadingly, "But Baby, it's cold outside!" After that the pace picks...
...Songsmith Loesser thinks of himself as a kind of folk musician of the jukebox, capturing "topical feelings." He likes to think that he avoids "idealizing the romantic. Of course, I slip every now and then, and turn out something like Moon of Manakoora...
Night and Day (Warner), purporting to be a biography of popular Songsmith Cole Porter, is another of Hollywood's celluloid shrines to the living...
Capp got the idea a year ago, discussed it with Sinatra and friends. Charlie Ross, president of Barton Music Co., agreed to publish the song. Songsmith Sammy Stept (Don't Sit under the Apple Tree, etc.) wrote the music. Capp promised to draw the radio characters straight if they in turn would treat "Daisy Mae" and "Li'l Abner" as real people. Radio, which often lives in a comic-strip world, did not have to change pace...