Word: sonia
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Like most other Israelis, Peres first learned about Premier Yitzhak Rabin's resignation when he watched the Premier's television speech on April 7. The previous night Yitzhak and Leah Rabin had been dinner guests of Peres and his wife Sonia, who, of course, knew about the resignation rumors. Rabin looked a little tense, a little sad, but gave no indication that he planned to step down...
...Resnais's chief devices is the manipulation of point of view. Throughout the first segment, Gielgud's voice directs the jockeying between characters, writing and rewriting the scenes they act. Of all his subjects, Langham's daughter-in-law Sonia (Ellen Burstyn) is most completely a literary creation; deprived of a will of her own, she compounds her self-image from other people's imaginings. Her husband--"a sanctimonious sod," his father calls him--is a model of self-control, afraid of violence "because it reeks of spontaneity," of himself because his own urges to violence must be so vigorously...
...finds time to write poetry, which he keeps to himself, and has published two books, including David's Sling, an autobiographical account of his role in building Israel's defenses. At home in his small, book-lined apartment in Tel Aviv, where he lives with his wife Sonia and two of his three children, he speaks mainly of literature; his tastes range from Norman Mailer to Fyodor Dostoyevsky and Yukio Mishima...
...Anguissola, got more commissions than the forthright Artemisia; they moved with more ease at court and could play society better. But there is good reason to regard Artemisia Gentileschi as the most distinguished woman painter to have worked between the 16th century and the end of the 19th, when Sonia Delaunay and Georgia O'Keeffe were born...
...have a historical show of women's art without the boring and insipid fribbles of Marie Laurencin, but why include a third-rate vendeuse of exotic surrealist tack like Leonor Fini? In such company, artists like Georgia O'Keeffe, Paula Modersohn-Becker, Kathe Kollwitz, Nataliia Goncharova and Sonia Delaunay look extraordinary; one's eye goes with relief to Goncharova's crude, provincial but raucously vital cubist portrait of her husband Mikhail Larionov (1913), the face kippered flat and streaked with voracious slashes of color; it luxuriates in the shimmer of rosy light, circle on circle, that...