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...house-style opening track, "Music: Response" has as its main refrain an electronic voice proclaiming that "music should trigger some kind of response," and elicit a response this album certainly will. In its most manic parts, it can (and will) send dance-floors through the roof, but the sheer sonic range of the album counters the usual line that dance artists can't make full-length albums. This is dance music that never compromises, that never gives in--that never surrenders...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: The Brothers Want It Their Way | 7/23/1999 | See Source »

Cibo Matto inhabits a strip of sonic territory between the hip-hop nation and the Land of the Rising Sun. The Japanese-American performing duo of Miho Hatori and Yuka Honda released a debut CD in 1996, Viva! La Woman, that was an irrepressible delight, fusing hip-hop rhythms with elusively poetic lyrics about culinary cravings. The duo's new album is more about vocal harmonies and hooky melodies. A few of the songs are four-ambulance conceptual disasters. But most of the tracks have a strange sweetness to them, leaving you feeling as though you've bitten into...

Author: /time Magazine | Title: Music: Stereotype A | 5/31/1999 | See Source »

...story? There is none. At least not one I can tell you. Live, the band veers from one violently brilliant extreme to another. Some shows tumble into unbelievable 30-minute long jams on b-sides of singles released five years ago. Others are made up of drop-dead perfect sonic recreations of the album, filled out with the intensity of Martsch flailing at his guitar before your eyes. Then again, Martsch has probably completely rewritten the Built to Spill playbook by now, just to keep us critics on our toes. The only way to find out for sure? Check...

Author: By R. ADAM Lauridsen, | Title: Built to Spill | 5/14/1999 | See Source »

...story? There is none. At least not one I can tell you. Live, the band veers from one violently brilliant extreme to another. Some shows tumble into unbelievable 30-minute long jams on b-sides of singles released five years ago. Others are made up of drop-dead perfect sonic recreations of the album, filled out with the intensity of Martsch flailing at his guitar before your eyes. Then again, Martsch has probably completely rewritten the Built to Spill playbook by now, just to keep us critics on our toes. The only way to find out for sure? Check...

Author: By By R. Adam lauridsen, | Title: Concert Review: Built to Spill | 5/14/1999 | See Source »

...quarter to the hour in the morning, Mem Church makes sure that all its neighbors reconsider that decision to skip Ec 10 section just one more time. Down on Mount Auburn Street, those looking to coast through Sunday afternoon writing that paper are rudely interrupted by the Lowell House sonic beat...

Author: NO WRITER ATTRIBUTED | Title: 100 REASONS WHY HARVARD SUCKS | 4/22/1999 | See Source »

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