Word: sonics
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Dates: during 1980-1989
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With the walls down, one can clearly see the Mediterranean from the roof, not 500 yds. to the west. The mind sails it; first into the past, then north up the coast to where the past is now, to the besieged city with its sonic booms and rubbish fires and damaged children. It was for children this trip was taken in the first place. Two are known to be safely out of Lebanon. One is well in Beirut, though in a perilous position. The fourth is probably all right, in hiding with his mother, who will be protected...
...that afternoon, Israeli jets roar high above the city. Two sonic booms follow in quick succession. A cloud of leaflets is produced in midair. It hangs, then floats down very slowly, like a great hive of small white birds beating their wings wildly as they fall...
...House master calls "the only thing that makes the Harvard undergraduate experience bearable" was largely missed. Instead of dressing up the Houses for a grand, festive occasion, the College sent in teams of building experts from as far away as St. Louis armed with scientific x-ray, ultra-sonic and infra-red machines to examine the structure and mechanical workings of the Houses. The reason: The anniversary was more than a milestone for a unique system of college living. It also signaled a half-century of age, which translates into wear, tear and a problem requiring increasing attention...
...Move Theater production, directed by Peter Thompson, is well-placed, insinuatingly pleasing, and most effective in the play's most difficult areas--evoking a time and a crowd of people through only two performers, and holding an audience through two hours without an intermission and without any visual or sonic pyrotechnics. Ralph Pochoda and Maryann Plunkett define themselves against each other from the start: Pochoda's Matt is fidgety, defensive, and given to speechifying--his mouth seems to hemorrhage words. Plunkett's Sally takes a pose and holds it, folds her arms over her chest, and seems almost sullenly reticent...
...experimental theater in America is, financially, a leaky ship on a long trip; Breuer points out that his Mabou Mines company, formed in 1970, is probably the longest-lasting venture of its kind, but adds, "We're living on borrowed time." The equipment Breuer's sonic directing requires isn't cheap, either. But in the long run his ideas are eminently practical: they accept the loss in intimacy that follows from the financial need for large theaters, and seek to deploy technology intelligently to restore some kind of dramatic truth...