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...straight slice of rocking blues, with a sweeping crescendo of an opening fit for the King himself. The sheer crunch of two guitars with nothing to anchor them to the rhythm boggles. More often than not, all three instrumentalists seem to play a note or more apart, creating more sonic splash than a complete collection of Carl Perkins records. The middle eight finds either Ivy or Gregory imitating the sound of static on a portable radio as you switch from one station to the next...

Author: By Scott J. Michaelsen, | Title: The True Trash Aesthetic | 4/26/1980 | See Source »

...pure camp, and the full orchestral backing suits Lydia Lunch's voice perfectly. What prevents the whole affair from degenerating into the ridiculous is the presence of Pat Irwin's electric guitar. Irwin seems more of a collaborator than a player throughout, and she executes her sonic attacks with ruthless efficiency. The overall conception is very alien; as the band begins to swing, Irwin launches an atonal, heavily feedbacked solo that cuts right through the soul of the song...

Author: By Scott J. Michaelsen, | Title: Dada for Lunch | 3/17/1980 | See Source »

...mine don't." Spector challenged the Ramones immediately-"Do you want to make a great album or a good album?" -then spent six months working in the studio, layering and miking guitars so they sound at times almost like chimes, overdubbing the vocals until they glisten like a sonic Simonize...

Author: /time Magazine | Title: Music: Going After the Real Nuts | 3/10/1980 | See Source »

...music, has tempered his lyric tantrums somewhat for the new album and has worked up some melodies that are rather more lulling and insinuating than anything Floyd freaks are used to. Spacy and seductive and full of high-tech sound stunts, The Wall has a kind of smothering sonic energy that can be traced to The Dark Side of the Moon and even past that, to the band's early days on the psychedelic front lines. To fans, this continuity must be just as reassuring as the trendiness Waters has grafted onto his lyrics, which are a kind...

Author: /time Magazine | Title: Music: Pinkies on the Wing | 2/25/1980 | See Source »

...Tear down the wall." Lysergic Sturm und Drang like this has a direct kind of kindergarten appeal, especially if it is orchestrated like a cross between a Broadway overture and a band concert on the starship Enterprise. It is likely, indeed, that The Wall is succeeding more for the sonic sauna of its melodies than the depth of its lyrics. It is a record being attended to rather than absorbed, listened to rather than heard...

Author: /time Magazine | Title: Music: Pinkies on the Wing | 2/25/1980 | See Source »

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