Word: sonly
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Dates: during 1960-1969
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...young Ben, Beau Bridges (son of Actor Lloyd Bridges) plays the hero with the numbstruck charm of a tarnished cherub. Ben believes totally in America's favorite myth: the up-from-nothing success story. So believing, he becomes living proof of that other American truism: there's a sucker born every minute. Ben runs away to Chicago, sin city, carnival to a million peculators in wheat, meat and railways. Pickpockets, exposure and starvation nearly do him in until the boy comes under the wing of a municipal madam named Queen Lil (Melina Mercouri). Lil's most valued...
Half Child, Half Sage. At the outset, it seemed that only luck could have chosen Darwin for his job aboard the Beagle. The fox-hunting son of a prosperous Shrewsbury doctor, the young man proved a dud at school and at Cambridge. At 22, he seemed destined for what Victorians frankly called "a living" in the church. Only a chance friendship with the Rev. Professor J. S. Henslow of Cambridge, a botanist, led to Darwin's recommendation as the Beagle's naturalist. Chance, plus a certain amount of charm, determined that he hit it off immediately with...
...son David, 24, calls him a "libertarian anarchist" who even raised his children by free-market rules. Friedman once offered David, then ten, and his older sister Janet a choice of Pullman berths for a cross-country train trip, or the extra price of those berths in cash. The children chose to sit up in coaches for two days and take the cash...
...brassbound bitch from the Dust Bowl. Robert (Michael Sarrazin) is an open-faced kid from a farm. Sailor (Red Buttons) is a Navy veteran whose ship has gone out. The man running the marathon-and carrying the movie-is a dime-store Barnum named Rocky (Gig Young). The son of an itinerant faith healer, Rocky has read the book on corruption and added footnotes of his own. Disgusted at what people-including himself-will do for money, he articulates the film's message: "There can only be one winner, folks, but isn't that the American...
...this melodramatic point, the film achieves its peak. Sailor's face empurples, his lips work and bubble, his body goes limp. "Walk, you son of a bitch, walk!" screams Gloria, carrying a corpse on her back, defying Rocky, circumstances, the Depression-and finally life itself in a racking finish that leaves the spectator as weary, and in a sense, as degraded as the participants. But it is precisely because of Gloria's inexhaustible drive that the film buckles. The dancers stay up for more than a thousand hours. The hall becomes a human zoo where legs, spines...