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Another DeLay student, the sloe-eyed, Roman-born Nadja Salerno-Sonnenberg, has had a rapid ascent since her 1981 victory in the Naumburg International Violin Competition. Salerno-Sonnenberg, 27, is a mediagenic performer hailed by some for her intensity ("the Edith Piaf of the violin," a colleague has called her) and scorned by others for the eccentric collection of tics, twitches and transports that form her onstage persona. But there is no gainsaying her vivid stage presence, or the enthusiasm with which she imbues her performances. Other noteworthy women violinists include the Kavafian sisters, Ani, 39, and Ida, 35, both...

Author: /time Magazine | Title: Music: Siren Songs at Center Stage | 4/11/1988 | See Source »

...Hell is other people," complains Garcin (David Sonnenberg), the male of the group. And he's right, because in the existential subterranean setting of Sartre the characters simply cannot escape the company of one another. There is just no exit to which they can run. Garcin, Inez (Lyra Barrera) and Estelle (Jacqueline Sloan) are imprisoned together, in a small and tastelessly furnished room, for eternity...

Author: By Deborah E. Copaken, | Title: Professional Existentialism | 11/21/1986 | See Source »

...production by Boston's TheaterWorks group shatters that myth in one enormous carnival of dance, theater, performance/installation art and new wave music. Yet Out Out is not the definitive statement on life in the nuclear age, and only partially does it manage to capture, as design coordinator Craig Sonnenberg wanted it to, "the spirit of the 80s". Out Out is the result of a collaboration by a 10-member "design team" headed by Sonnenberg, and assisted by TheaterWorks artistic directors Vincent Murphy and Tim McDonough. Perhaps it is a myth in the theater circle that in the event...

Author: By Kathleen I. Kouril, | Title: Too Many Cooks | 5/2/1983 | See Source »

THERE ARE, first of all some problems of logistics. While set designer Kevin Roach's Scotland is convincingly stark and metallic, too many ramps and staircases reduce the downstage area to the size of a sandbox--no room for conspiracies here, much less natural movement. Craig Sonnenberg's costumes, though effectively timeless, look too much like Bill Blass designs for a Himalayan expedition. The Apollo XI footwear especially renders normal activity difficult...

Author: By Jonathan B. Propp, | Title: Trouble in Scotland | 10/25/1980 | See Source »

...Sonnenberg was exquisitely conscious of dress as costume. In the '40s and '50s his style of accouterment was a wonder of Manhattan-cane, tight four-button suits, massive cuff links, a bowler hat, and a mustache that almost rivaled Dali's in local celebrity: not the zigzag antennae of the Spaniard but a drooping bunch of Habsburg bristle, which in his last years came to resemble the questing barbels of an old and sagacious carp...

Author: /time Magazine | Title: Art: Dismantling an Opulent Fossil | 2/12/1979 | See Source »

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