Word: sonneteers
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...poets represented in this issue are impressive numerically at least. Mr. Cowley's "Eighteenth Century Sonnet," intentionally unorthodox in form, is the most interesting and individual of the poems. I wonder why it is secreted at the very end of the number. Of the five sonnets, Mr. Hull's "To a Cat" and the sestet of Mr. Cabot's "Late Spring" stand out as something more than a succession of words arranged with varying skill in a predetermined pattern. Mr. Morrison's "Song" contains two or three significant lines and flows along sonorously. In "Lines," Mr. Behn has conveyed...
...back a page we find Mr. Rogers' "where fauns with shadows play," while below him Mr. McLane in Swiftian style lampoons certain dull poetasters. "To still the Memnonian music of Song's lisps" is quite delightful provided Mr. McLane has his tongue in his cheek. Otherwise--? Mr. Hoffman's Sonnet, despite rather an anticlimacteric conclusion, is notable, for its pleasant poise...
There is an excelent sonnet "End", by Joseph Auslander '17; a short piece, "Billy Sunday in Boston," by S. F. Damon '14, which shows at least that Mr. Damon is a clever son of Gertrude Stein by Donald Evans; and a couple of sonnets on "Bayonet Drill" by Damon and Malcolm Cowley '19, which are interesting souvenirs...
...Clarke's "Rain" is even in tone and graceful; Mr. King's sonnet, though...
discreditable, is uneasy, as the sonnets of the young (and even of the old) are wont to be; the Horatian verses to Chloe are imperfect, but promising,--"Therefore lift up your blushing gaze, and quit your all-sufficient mother." Mr. Auslander's sonnet, like all his work, shows talent and skill; but, hardened though we are to mixed novelties, we cannot accept as genuine his prayer for "the feathered thrill of birds." Mr. La Farge's "To My Goddess" exhibits feeling for the music of verse and contains pretty details. Unhappily the reviewer's copy omits the last line...