Word: sonneteers
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...what one wants; out we want it so to strike upon the retina as to give us a distinct, forceful picture, not a mere jumble like the images of a kaleidoscope. Besides these prose works the number contains two poems which are not very good. Mr. Sanford's sonnet is especially rough. There are one or two beautiful lines in it, but the general effect is crude and contradictory...
...Santayana, in a review of Spinoza, states clearly the philosophy of the great pantheist of Cartesianism. The article while differing materially from ordinary undergraduate work, shows that real thought is among us, and that such thought can be clearly stated. But Mr. Santayana's sonnet, again, is not equal to his usual work. Many of the lines are strong, but the strength is hardly carried to the end. "A Study in Catullus," by Mr. H. G. Bruce, is probably, from an artistic point of view, the best piece of student literary work which has been published at Harvard for years...
...makes up for the deficiency in quantity by excellence in quality. Mr. Houghton's "Ballad of April Days," reprinted from Mr. Adam's "April," is not equal in execution to former work of the author, but in subject is particularly pleasant, and in conception is really charming. But the sonnet by Mr. Santayana, which treats of faith, must be regarded as one of the most attractive, perhaps the most attractive feature of the April Monthly. It is something that calls for more than one reading, that does not leave the mind almost as soon as it has entered it, like...
...Santayana in a sonnet calls for a higher love, and embodies the Socratic eros. The expression is good and the lines are often graceful...
...poets is the model of the western college poetasters and is therefore simply another example of our increasing greatness. As such, let us consider it for a moment. Of course we have differentiations of the poetic sense. We have the love ditty, the laboriously elaborated scholastic exercise, the philosophical sonnet, the frothy nothing, and the pessimistic snarl. A great portion of the writing is naturally the direct outcome of affectation, much of the rest from an ambition to shine as a literary light. But here and there at rare intervals we catch a glimmer, transient, it is true...