Word: sons
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Dates: during 1940-1949
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...less concerned with dramatic plots than with what he has to say. Four characters present contrasting points of view: John Tarleton Sr. (Jerry Kilty), a prosperous underwear manufacturer and a representative of the middle class, would revolt against his day to day life for one of ideas; his son (Miles Morgan), a middle class moralist, "likes to know where he is;" daughter Hypatia (Helen Mareey) fights against her middle class associates who sit around and "discuss whether what other people say is right;" and Lord Summerhays (Thayer David) represents traditional English aristocracy...
...North Africa the happy trio is joined by Mrs. Lyle and her "pale and simple" son Eric who alternates between sleeping with his dominating mother and stealing from his fellow travelers. When Port dies from typhoid in a likely French Arab outpost, Kit wanders off into the desert where she is taken in by two Arab traveling salesmen whose actions prove that traveling salesman are the same the world over. Kit finally escapes from her harem when she finds that her Arab lover has to spend a few nights with some of his other wives. She then takes up with...
Nicholas Benton '51 plays the ex-burlesque queen with the heart of gold, and Wayne A. Clark '52 plays her son, Alabams, who wants to be a playwright...
...Herndon Jr., 50, who was the first manager of the Albuquerque Hilton; Vice President Spearl ("Red") Ellison, 36, who started as a $5-a-month bellhop; Vice President Joseph P. Binns, 43, a relative newcomer to the corporation, who managed the Stevens before Hilton took over. Hilton's son Nick, 23, is learning the ropes from them (his other sons by his first marriage, Eric, 16, and Baron, 21, are not in the business). Hilton lets his managers run things pretty much as they please. He merely sets the targets. When he bought the Palmer House, he installed Binns...
...story concerns a typical Italian unheroic hero: a vacillating, tortured, sour-faced working man (Lamberto Maggiorani) whose only talent is to attract misery. He and his small son (Enzo Staiola) spend a grey Sunday scouring Rome for the stolen bicycle that is necessary to the father's bill-posting job. Their thief-chasing Odyssey takes them through various institutions (soup kitchen, church, bordello, political meeting, fortuneteller's), supposed to inspire or comfort the miserable. After being treated as a bumbling nuisance at each of these havens, the hero tries unsuccessfully to steal a bicycle, and then tearfully walks...