Word: sons
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Dates: during 1950-1959
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...first long interview with Mrs. Rommel and her son Manfred, the Rommels were at a disadvantage. They did not know that I had the late field marshal's own headquarters war diaries, or that I had learned about his present to his wife. So when the interviewing began, it was obvious from their answers that I would not get the real story without my revealing facts I had read in the war diaries. They were nervous and reticent...
...second term: the quest for peace and for the goals that free nations share and should share. He skipped Thanksgiving services (Mamie went on alone to the National Presbyterian Church), found time late in the day for turkey with Mamie (who will not go on the big trip), Son Major John and Daughter-in-Law Barbara (who will), the four Eisenhower grandchildren and two unannounced visitors. Cinemactress Rosalind Russell and her husband. Producer Frederick Brisson. (The Eisenhowers, confided Roz Russell to newsmen afterwards, did not serve cranberries, settled for applesauce...
...graffitos (or 'sgraffitos) are fairly rare birds, even in this modern age of marvels, and it took quite a search to find a suitable artist. The hero was finally secured, however, as everyone knew he would be, and one fine summer day he and his 16-year-old son came to Quincy and perpetrated a graffito, all blue, yellow...
...fact everything is pretty much in heat throughout the whole film. Orson Welles stirs the ashes, and Lee Remick as Eula, the wife of Varner's lazy son Jody, (Anthony Franciosa) casts a warm glow over the theatre by performing some marvelous romping in and out of bed (with the phonograph playing dixieland full blast). One gets the feeling, consequently, that Jody, who is being pushed out of his father's favor by the stranger Ben Quick (Paul Newman), does not have it so rough...
...downright healthy. There are no suicides, incests, miscegenations, divorces, or even race prejudices. In the end three or four recognition scenes suddenly blossom out of a fertile but rather parched story, and all is saved. Will Varner recognizes what a real chip off the old chopping block his son Jody is, when Jody tries to burn him to death; Clara, Varner's daughter, played in a vaguely disappointing way by Joanne Woodward, finds out that the guy she's loved for five years doesn't have any desire to crawl into bed with her, married or unmarried; and she suddenly...