Word: sons
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Dates: during 1960-1969
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...writer's marrow, that he almost always devotes one autobiographical work to it. Playwright Oliver Hailey's Who's Happy Now? may not be autobiographical, but it has the indelible sound of private experience. His play belongs among the most perceptive portrayals of the son-father relationship that have been brought to the stage. Its special quality is that it is an Oedipal farce, zany, effervescently comic and full of as many crazy laughs as a clock has ticks...
...talent for song writing, eventually fulfilled, but he tries to become a butcher. He fights his father; yet he wants his father's approval-and deeper still, he wants to be his father. In scenes that are amusing and astute, the son proposes marriage to his father's mistress and later tries to coax his mother into leaving the awful man and coming to live with...
...have completed their seventh decade, he will have directed his 28th film, Tristana. With another director, such ambiguities of statement and action might seem a bit bizarre; with Buñuel, they are entirely in character. Since his youth, he has fashioned a career from contradictions. The first-born son of a Spanish bourgeois father and an aristocratic mother, Luis became a brilliant pupil of Jesuit tutors. But upon reading Darwin's The Origin of Species, he started the opening battle in his long war against church and state. At the University of Madrid, he was an intimate...
Voltaire was most nearly heroic in his stand against the church. In 1762, he fought to exonerate the name of a Protestant shopkeeper named Jean Galas, who had been tortured and killed on the false charge of murdering his son to prevent the boy's conversion to Catholicism. But Voltaire's pattern in criticizing both church and court was to attack and then back off. Though he is generally credited with being the intellectual architect of the French Revolution, he was not inclined to be a martyr...
...nobody, it appears, is so entirely free from nostalgia that he cannot recall a past moment of particular delight. Fred Mitchell, 85, for instance, is now an invalid living with his unmarried middle-aged son. He remembers that the old days were full of raw fear-of landlords, of weather, of hunger. "But I have forgotten one thing," he adds. "The singing. There was such a lot of singing ... So I lie. I have had pleasure. I have had singing...