Word: sons
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Dates: during 2000-2009
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...likewise recognize that there is this endorsement may raise some eyebrows, given that Alan A. Khazei ’83, who has spent significant time and resources here on campus, is Harvard’s favorite son. However, we actually find Khazei’s preoccupation with Harvard to be curious. In an election to represent all of Massachusetts, a candidate should probably not focus so much on a university whose students are largely not constituents...
...lawsuit, filed by his father, John B. Edwards II, alleges that his son sought care at UHS in June 2007 because he could not study for as long a period of time as his friends. According to the complaint, a nurse practitioner prescribed Adderall to treat attention deficit hyperactivity disorder in addition to two antidepressants, Prozac and Wellbrutin. Edwards was also taking Accutane, a powerful anti-acne drug. Three of these four drugs have been associated with heightened suicide risk...
...earlier version of the Dec. 4 news article "Family Sues Harvard Over Son's Suicide" incorrectly stated that the drug allegedly perscribed to John B. Edwards III to treat attention deficit hyperactivity disorder was not named in the lawsuit filings. In fact, the drug, Adderall, was named in the suit...
...work has always been deeply moralizing—whether on the resilience of family or the fidelity of close friendship—but here he trivializes Fox’s recklessness. The casual way that he endangers and deceives everyone in the film, or how he neglects his own son to an almost condemnable degree, is never answered for. Instead, “Fantastic Mr. Fox”—dramatically revised from Dahl’s book—ends ambiguously, with its characters unchanged and the danger yet present. More puzzling than it is substantial, it doesn?...
...instead of developing on it. But the utterly blank faces of Fox, his family, and friends—posturing, wry, flummoxed, or brooding countenances as they fit their respective characters—allow for development that’s left totally up to the script. Fox’s son Ash, voiced by Jason Schwartzman, another perennial Anderson collaborator, strikes the perfect timbre between obnoxious humor and endearing awkwardness. Schwartzman’s delivery is appropriately adolescent, all but reprising a more frustrated Max Fischer—the protagonist of “Rushmore,” the movie that...