Word: sooni
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Dates: during 2000-2009
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...were gypsies, Sooni and I. Two sisters in saris surrounded by tuxedoed strangers. But instead of taking our Banjara bullock cart to the nearest water hole, we were in a limo en route to the Oscars, where our first film, Salaam Bombay!, was nominated as Best Foreign Language Film. It was 1989, before the government even recognized filmmaking as a legitimate industry. Armed with just good wishes and some telegrams from family and friends, we spent a few days in the luxury of the Beverly Wilshire, not really minding that we were neglected by our own country. When it came...
...back then. In 1976, when I'd trekked across Radcliffe Yard to the Charles River to meet the person who would become my lifelong collaborator, screenwriter Sooni Taraporevala, we were among only a handful of Indian undergraduates at Harvard. As an Indian filmmaker in New York City in the 1980s, I would ride Greyhound with my documentaries, showing my films to anyone who'd have me. I tolerated audiences who would ask whether there was tap water in India and how come I spoke such good English. Later, raising money for Mississippi Masala, starring Denzel Washington, a studio head asked...
...were gypsies, Sooni and I. two sisters in saris surrounded by tuxedoed strangers. But instead of taking our Banjara bullock cart to the nearest water hole, we were in a limo en route to the Oscars, where our first film, Salaam Bombay!, was nominated as Best Foreign Language Film. It was 1989, before private media exploded in India, before the government even recognized filmmaking as a legitimate industry. Armed with just good wishes and some telegrams from family and friends, we spent a riotous few days in the luxury of the Beverly Wilshire, being taken to lunch by Billy Wilder...
...back then. In 1976, when I'd trekked across Radcliffe Yard to the Charles River to meet the person who would become my lifelong collaborator, screenwriter Sooni Taraporevala, we were among only a handful of Indian undergraduates at Harvard. As an Indian filmmaker in New York City in the 1980s, I would ride the Greyhound with my documentaries, showing my films to anyone who'd have me. I would have to tolerate audiences who would ask whether there was tap water in India and how come I spoke such good English. Later, raising money for Mississippi Masala, starring Denzel Washington...
...serve its initial purpose of preserving peace and reconstructing Iraq." Emboldened by their electoral triumph, the younger generation that has rescued Roh and the Uri Party will now expect to be heard?whether on Iraq and North Korea or on labor issues and women's rights. Says Park Sooni, a 30-year-old English teacher and Uri supporter: "We're taking the lead from now on." After months of mayhem?much of it caused by top politicians like Roh himself?it's time somebody took the lead...