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...Ariadne” lends itself easily to multiple layers of self-reference and interpretation. It consists of a Prologue and an Opera, the first framing the second. In the Prologue, a prodigiously young Composer (mezzo-soprano Edyta Kulczak) is about to see his first opera, the very serious “Ariadne auf Naxos,” performed at the court of a Viennese nobleman. However, at the nobleman’s behest, the order is given for the new opera to be combined with a troop of harlequins also slated to perform that evening. The second act, the Opera...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

...relationship between the comic and the serious and more about that between the “popular” and the “classical.” The conceit plays out well, especially as the Composer falls in love with the leader of the troupe, Zerbinetta (the soprano Rachele Gilmore). Their duet, “Ein Augenblick ist wenig, ein Blick ist viel” (“A Moment is Nothing, But a Glance is Everything”), let the tremendous youthful zest of both characters flower. Bursting with energy and grace, the singing was entrancingly light...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

...girlish Deanna Durbin established the recipe in the late 1930s; Kathryn Grayson, who died Feb. 17 at 88 in Los Angeles, perfected it by adding a saucy sex appeal. For more than a decade, from Thousands Cheer in 1943 to The Vagabond King in 1956, she was the leading soprano at MGM and one of its top stars...

Author: /time Magazine | Title: Kathryn Grayson | 3/8/2010 | See Source »

...these finer points about the physics behind “Hypermusic Prologue” may have been lost on the crowd, the opera itself was certainly appreciated by the audience. The event incorporated videos of the original production, as well as musical recordings featuring the vocal talents of soprano Charlotte Ellett and baritone James Bobby. These multimedia elements enlivened the discussion with concrete examples of Parra and Randall’s collaborative efforts...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Opera Boldly Goes to Uncharted Dimension | 3/2/2010 | See Source »

Beyond his musical compositions, Parra worked tirelessly to make the opera’s lyrics feel novel. After the soprano crosses into the fifth dimension, her text was translated into what Parra described as “a free language, a multi-dimensional language.” This new tongue—which Parra himself developed specifically for this project—classifies sounds according to unusual parameters...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Opera Boldly Goes to Uncharted Dimension | 3/2/2010 | See Source »

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